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One of the best Japanese Kanji dictionary.
角 means "horn, corner."
Horns - The horns on the head of an animal. Also, something shaped like a horn.
Pointed - A sharp point.
Corner - The corner of something. The edge of an object.
Shogi Piece - One of the pieces in the Japanese board game Shogi, "角(Kaku)".
I bought this book at kakuzen's.
The accident took place at that corner.
I'd like a room in the corner of the building.
そこの角ですよ。
It's at the corner.
They are getting on the bus at the corner.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はそこまで来て、曲り角で分れるのが先生に済まないような気がした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は悪い事をした」先生と私とは博物館の裏から鶯渓の方角に静かな歩調で歩いて行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
書斎は茶の間の縁側を突き当って折れ曲った角にあるので、棟の位置からいうと、座敷よりもかえって掛け離れた静かさを領していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「いくつ? 一つ? 二ッつ?」妙なもので角砂糖をつまみ上げた奥さんは、私の顔を見て、茶碗の中へ入れる砂糖の数を聞いた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はその時自分の言葉使いの角張ったところに気が付かずに、父の不平の方ばかりを無理のように思った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
といって、折角都合して来たには来たが、間に合わなかったといわれるのも辛かった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はあなたの知っている通り、ほとんど世間と交渉のない孤独な人間ですから、義務というほどの義務は、自分の左右前後を見廻しても、どの方角にも根を張っておりません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はその場合この四角な帽子に一種の自信を見出したくらいです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お嬢さんは縁側を直角に曲って、私の室の前に立つ事もありますし、茶の間を抜けて、次の室の襖の影から姿を見せる事もありました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
もし断られたら、私の運命がどう変化するか分りませんけれども、その代り今までとは方角の違った場所に立って、新しい世の中を見渡す便宜も生じて来るのですから、そのくらいの勇気は出せば出せたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その男は恥ずかしがって色々弁解しましたが、折角の胴着を行李の底へ放り込んで利用しないのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
Kと私とが性格の上において、大分相違のある事は、長く交際って来た私によく解っていましたけれども、私の神経がこの家庭に入ってから多少|角が取れたごとく、Kの心もここに置けばいつか沈まる事があるだろうと考えたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それで方角も何も構わずに、正月の町を、むやみに歩き廻ったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし前にもいった通り、私はこの一言で、彼が折角積み上げた過去を蹴散らしたつもりではありません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしKが古い自分をさらりと投げ出して、一意に新しい方角へ走り出さなかったのは、現代人の考えが彼に欠けていたからではないのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.