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One of the best Japanese Kanji dictionary.
側 means "side, beside, near, close to."
Beside - Being near or next to something.
Side - One side of an object or surface.
Lean - To tilt or incline towards one side.
Faintly - A very small amount.
They live across the river.
ドアの側に犬がいます。
There's a dog by the door.
わたしを向こう側へわたしてください。
Please take me over to the other side.
Do you want a seat by the window?
You'll see the store on your left.
Is the school on this side of the river?
They got over to the other side while the light was red.
The man had something under his coat.
They sat down by the fire.
Keep to the left.
私は墓地の手前にある苗畠の左側からはいって、両方に楓を植え付けた広い道を奥の方へ進んで行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
書斎は茶の間の縁側を突き当って折れ曲った角にあるので、棟の位置からいうと、座敷よりもかえって掛け離れた静かさを領していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生は半分縁側の方へ席をずらして、敷居際で背中を障子に靠たせていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今でも悪い景色ではありませんが、その頃はまたずっとあの西側の趣が違っていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
床の横に違い棚があって、縁と反対の側には一間の押入れが付いていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お嬢さんは縁側を直角に曲って、私の室の前に立つ事もありますし、茶の間を抜けて、次の室の襖の影から姿を見せる事もありました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お嬢さんはすぐ座を立って縁側伝いに向うへ行ってしまいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
Kと私がいっしょに宅にいる時でも、よくKの室の縁側へ来て彼の名を呼びました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
すると突然幅の広い机の向う側から小さな声で私の名を呼ぶものがあります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
外側から見れば、万事が予期通りに運んだのですから、目出度といわなければなりません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今でも悪い景色ではありませんが、その頃はまたずっとあの西側の趣が違っていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
床の横に違い棚があって、縁と反対の側には一間の押入れが付いていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お嬢さんは縁側を直角に曲って、私の室の前に立つ事もありますし、茶の間を抜けて、次の室の襖の影から姿を見せる事もありました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お嬢さんはすぐ座を立って縁側伝いに向うへ行ってしまいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.