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One of the best Japanese Kanji dictionary.
大 means "big, large, great."
Big - Large in size, degree, or amount.
Excellent - Outstanding or of superior quality.
Greatly - To a great extent.
Arrogant - Having an attitude of superiority or haughtiness.
Approximately - Generally or roughly.
Respectful - Showing respect or reverence for someone or something.
Grand - Of great size, scope, or extent.
The child is father of the man.
My mother loves music.
Take care of yourself.
He is crazy about baseball.
He is sure to succeed.
I've never had such a large sum of money.
There's no need to speak so loud.
Health is more important than money.
I keep old books with care.
The heavy rain prevented us from going out.
学校の授業が始まるにはまだ大分日数があるので鎌倉におってもよし、帰ってもよいという境遇にいた私は、当分元の宿に留まる覚悟をした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
長谷辺に大きな別荘を構えている人と違って、各自に専有の着換場を拵えていないここいらの避暑客には、ぜひともこうした共同着換所といった風なものが必要なのであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の尻をおろした所は少し小高い丘の上で、そのすぐ傍がホテルの裏口になっていたので、私の凝としている間に、大分多くの男が塩を浴びに出て来たが、いずれも胴と腕と股は出していなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大抵は頭に護謨製の頭巾を被って、海老茶や紺や藍の色を波間に浮かしていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生と掛茶屋で出会った時、先生は突然私に向かって、「君はまだ大分長くここにいるつもりですか」と聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうしてその上に彩られる大都会の空気が、記憶の復活に伴う強い刺戟と共に、濃く私の心を染め付けた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
鎌倉にいた時、私は先生自身の口から、いつでも大抵宅にいるという事を聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
墓地の区切り目に、大きな銀杏が一本空を隠すように立っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生と話していた私は、ふと先生がわざわざ注意してくれた銀杏の大樹を眼の前に想い浮かべた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
でもあなたは大変ご愉快そうね、少しご酒を召し上がると」「時によると大変愉快になる。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生と奥さんの間に起った波瀾が、大したものでない事はこれでも解った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大したものを持って行かれた家はほとんどなかったけれども、はいられた所では必ず何か取られた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
近頃は段々人の顔を見るのが嫌いになるようです」こういった奥さんの様子に、別段困ったものだという風も見えなかったので、私はつい大胆になった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.