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One of the best Japanese Kanji dictionary.
外 means "outside, exterior, foreign, other."
Outside - A place outside of a certain range.
Other - Something or someone other than the central point.
Remove - To take away or keep away.
Relatives - Relatives from the mother's side or the wife's side.
Deviate - To go against or turn away from.
Won't you go out to lunch with us?
There is no going out in this stormy weather.
Do not look out of the window.
Going out in this rain is out of the question.
When he heard the voice , he looked out of the window.
Do you sometimes go abroad on your holidays?
We spent the day in the open air.
Don't look out the window. concentrate on your work.
Except for bill , they were all in time.
The heavy rain prevented us from going out.
彼らはここで茶を飲み、ここで休息する外に、ここで海水着を洗濯させたり、ここで鹹はゆい身体を清めたり、ここへ帽子や傘を預けたりするのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私が陸へ上がって雫の垂れる手を振りながら掛茶屋に入ると、先生はもうちゃんと着物を着て入れ違いに外へ出て行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
広い蒼い海の表面に浮いているものは、その近所に私ら二人より外になかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生は彼の風変りのところや、もう鎌倉にいない事や、色々の話をした末、日本人にさえあまり交際をもたないのに、そういう外国人と近付きになったのは不思議だといったりした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
――ご親類のお墓ですか」「いいえ」先生はこれ以外に何も答えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「あすこには私の友達の墓があるんです」「お友達のお墓へ毎月お参りをなさるんですか」「そうです」先生はその日これ以外を語らなかった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あなたは外の方を向いて今に手を広げなければならなくなります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしそれ以外に私はこれといってとくに奥さんについて語るべき何物ももたないような気がした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それで始めて知り合いになった時の奥さんについては、ただ美しいという外に何の感じも残っていない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の妻などは私より外にまるで頼りにするものがないんだから」先生の言葉はちょっとそこで途切れたが、別に私の返事を期待する様子もなく、すぐその続きへ移って行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生はその日|横浜を出帆する汽船に乗って外国へ行くべき友人を新橋へ送りに行って留守であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だから先生の学問や思想については、先生と密切の関係をもっている私より外に敬意を払うもののあるべきはずがなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.