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One of the best Japanese Kanji dictionary.
姿 means "figure, appearance, form."
Shape or Appearance - The physical form or look of a person or object.
Talent - Natural aptitude or ability.
Nature - Character or quality of a person or thing.
Quality - Essential or inherent characteristic.
She is certain to turn up.
When he saw me , he ran away.
I can hear you , but i can't see you.
Nobody ever saw hide or hair of him.
ビルはそのパーティーへ姿を現さなかった。
Bill didn't turn up at the party.
He is certain to turn up some time.
He did not turn up after all.
The man i was waiting for didn't turn up.
I thought it strange that he didn't turn up.
In the end , he did not come.
私は単に好奇心のために、並んで浜辺を下りて行く二人の後姿を見守っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しばらくして海の中で起き上がるように姿勢を改めた先生は、「もう帰りませんか」といって私を促した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「先生帽子が落ちました」「ありがとう」身体を半分起してそれを受け取った先生は、起きるとも寝るとも片付かないその姿勢のままで、変な事を私に聞いた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は先生に郵便を出す時、ふと幅の細い帯を楽に後ろで結んでいるその人の姿を思い出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の眼は長い間、軍服を着た乃木大将と、それから官女みたような服装をしたその夫人の姿を忘れる事ができなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしまたどうかして、もう一度ああいう生れたままの姿に立ち帰って生きて見たいという心持も起るのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お嬢さんは縁側を直角に曲って、私の室の前に立つ事もありますし、茶の間を抜けて、次の室の襖の影から姿を見せる事もありました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はあたかもKの室から逃れ出るように去るその後姿をちらりと認めただけでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
むしろ自分から進んで彼の姿を咀嚼しながらうろついていたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれどもこの間のように、Kの黒い姿はそこには立っていません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしまたどうかして、もう一度ああいう生れたままの姿に立ち帰って生きて見たいという心持も起るのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お嬢さんは縁側を直角に曲って、私の室の前に立つ事もありますし、茶の間を抜けて、次の室の襖の影から姿を見せる事もありました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はあたかもKの室から逃れ出るように去るその後姿をちらりと認めただけでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.