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One of the best Japanese Kanji dictionary.
来 means "come, arrive."
To come - To arrive or come to a place.
To bring - To bring something or someone to a place.
To allow - To permit or allow someone to do something.
This person - Someone who has been present from a certain point in time until now.
In the future - Something that has not yet come.
Particle - A particle placed in the middle or end of a sentence to give it a certain tone. It is usually not read in the kunyomi reading.
To encourage - To encourage or motivate someone.
Will you go to america next year?
Would you mind coming with me?
I came to liverpool by chance.
If you're doing it in fun , i'd rather you didn't come.
Jane came to our town three years ago.
Be sure to look us up when you're in town.
What would you like to be in the future?
I don't know when he will be here.
Jim will not come today.
Come over tonight. i will show you how.
暑中休暇を利用して海水浴に行った友達からぜひ来いという端書を受け取ったので、私は多少の金を工面して、出掛ける事にした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
古い燻ぶり返った藁葺の間を通り抜けて磯へ下りると、この辺にこれほどの都会人種が住んでいるかと思うほど、避暑に来た男や女で砂の上が動いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はその時反対に濡れた身体を風に吹かして水から上がって来た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の尻をおろした所は少し小高い丘の上で、そのすぐ傍がホテルの裏口になっていたので、私の凝としている間に、大分多くの男が塩を浴びに出て来たが、いずれも胴と腕と股は出していなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうして遠浅の磯近くにわいわい騒いでいる多人数の間を通り抜けて、比較的広々した所へ来ると、二人とも泳ぎ出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は浅い水を頭の上まで跳かして相当の深さの所まで来て、そこから先生を目標に抜手を切った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
或る時先生が例の通りさっさと海から上がって来て、いつもの場所に脱ぎ棄てた浴衣を着ようとすると、どうした訳か、その浴衣に砂がいっぱい着いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
もっと前へ進めば、私の予期するあるものが、いつか眼の前に満足に現われて来るだろうと思った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし帰って二日三日と経つうちに、鎌倉にいた時の気分が段々薄くなって来た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は往来で学生の顔を見るたびに新しい学年に対する希望と緊張とを感じた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
二度来て二度とも会えなかった私は、その言葉を思い出して、理由もない不満をどこかに感じた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.