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One of the best Japanese Kanji dictionary.
知 means "knowledge, understanding, awareness."
To Know - To understand, to recognize, to feel, to comprehend.
To Inform - To notify, to make aware.
Acquaintance - To be familiar with someone.
Knowledge - To be aware of something.
To Govern - To rule, to preside over.
Wisdom - The ability to think, the power to discern the essence of things.
I do not know how to drive a car.
Did you inform your teacher of this?
I don't know where my watch is.
Few know the truth of the matter.
It is the fact that i want to know.
Do you happen to know his name?
We thought that the message was true.
どうして僕が知っているんだ。
How should i know?
I know it well enough.
It won't be long before we know the truth.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その中に知った人を一人ももたない私も、こういう賑やかな景色の中に裹まれて、砂の上に寝そべってみたり、膝頭を波に打たしてそこいらを跳ね廻るのは愉快であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
特別の事情のない限り、私はついに先生を見逃したかも知れなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
こういう感じを先生に対してもっていたものは、多くの人のうちであるいは私だけかも知れない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それだから尊いのかも知れないが、もし間違えて裏へ出たとしたら、どんな結果が二人の仲に落ちて来たろう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の元の同級生などで、その頃東京にいるものはほとんど二人か三人しかないという事も知っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それが源因かどうかは疑問だが、私の興味は往来で出合う知りもしない女に向かって多く働くだけであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
これは奥さんに特色がないというよりも、特色を示す機会が来なかったのだと解釈する方が正当かも知れない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それで始めて知り合いになった時の奥さんについては、ただ美しいという外に何の感じも残っていない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の精神は反抗の意味というよりも、世間が先生を知らないで平気でいるのが残念だったからである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「書生時代よ」「書生時代から先生を知っていらっしゃったんですか」奥さんは急に薄赤い顔をした」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だから奥さんがもし先生の書生時代を知っているとすれば、郷里の関係からでない事は明らかであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.