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One of the best Japanese Kanji dictionary.
敷 means "spread, lay out, apply."
Spread out - To spread out something flat and wide.
Cover - To cover something completely.
Express - To express or state something.
Arrange - To arrange or line up something.
先生と同郷の学生などには時たま座敷で同座する場合もあったが、彼らのいずれもは皆な私ほど先生に親しみをもっていないように見受けられた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
家庭の一員として暮した事のない私のことだから、深い消息は無論|解らなかったけれども、座敷で私と対坐している時、先生は何かのついでに、下女を呼ばないで、奥さんを呼ぶ事があった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ある日私がいつもの通り、先生の玄関から案内を頼もうとすると、座敷の方でだれかの話し声がした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の宅は玄関の次がすぐ座敷になっているので、格子の前に立っていた私の耳にその言逆いの調子だけはほぼ分った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それを想像する余裕を与えないほど早く先生はまた座敷へ帰って来た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんは火鉢の前に敷いた座蒲団の上へ私を坐らせて、「ちっとそこいらにある本でも読んでいて下さい」と断って出て行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
書斎は茶の間の縁側を突き当って折れ曲った角にあるので、棟の位置からいうと、座敷よりもかえって掛け離れた静かさを領していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生は少し風邪の気味で、座敷へ出るのが臆劫だといって、私をその書斎に通した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
こういったばかりでなく、今まで敷いていた床を上げさせて、いつものような元気を示した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はついに四月の下旬が来て、やっと予定通りのものを書き上げるまで、先生の敷居を跨がなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生は半分縁側の方へ席をずらして、敷居際で背中を障子に靠たせていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
たまには蒲団や敷布を汚して、傍のものが眉を寄せるのに、当人はかえって平気でいたりした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
妹の夫だけは、客扱いを受けているせいか、独り離れた座敷に入って休んだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
座敷の数も少なくないのだから、私はほかの部屋で構わないと辞退したのですけれども、叔父はお前の宅だからといって、聞きませんでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.