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One of the best Japanese Kanji dictionary.
調 means "tune, tone, key, pitch, mood, condition."
Adjust - To make suitable or appropriate by bringing into harmony or balance.
Arrange - To put into a proper, systematic, or logical form.
Mock - To ridicule or tease in a scornful or contemptuous manner.
Transfer - To move from one place to another.
Collect - To gather together or take in from scattered places or sources.
Tax - A compulsory contribution to state revenue, levied by the government on workers' income and business profits or added to the cost of some goods, services, and transactions.
Tune - The quality of a sound governed by the rate of vibrations producing it
Investigate - To observe or study by close examination and systematic inquiry.
このところ調子はいかがですか。
How have you been getting on?
This machine does not run well.
How is your work coming along?
調子はどうですか。
How are you doing?
Look it up in your dictionary.
He is really in good shape.
You had better look up the word.
Well , let me take it back and figure it out for you.
See if my answer is correct.
I will go along with your plan.
その言葉は森閑とした昼の中に異様な調子をもって繰り返された。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の宅は玄関の次がすぐ座敷になっているので、格子の前に立っていた私の耳にその言逆いの調子だけはほぼ分った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども先生の態度の真面目であったのと、調子の沈んでいたのとは、いまだに記憶に残っている。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その時先生は沈んだ調子で、「どうしても私は世間に向かって働き掛ける資格のない男だから仕方がありません」といった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あなたの心はとっくの昔からすでに恋で動いているじゃありませんか」私は一応自分の胸の中を調べて見た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は悪い事をした」先生と私とは博物館の裏から鶯渓の方角に静かな歩調で歩いて行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その調子は忙しいところを暇を潰させて気の毒だというよりも、せっかく来たのに泥棒がはいらなくって気の毒だという冗談のように聞こえた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
昔でいうと、儒者の家へ切支丹の臭いを持ち込むように、私の持って帰るものは父とも母とも調和しなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生はいつもの調子で、「なるほど」とか、「そうですか」とかいってくれたが、それ以上の批評は少しも加えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
いつもの通り沈黙がちに落ち付き払った歩調をすまして運んで行くので、私は少し業腹になった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
常よりは晴やかな調子で、「これから六月までは一番気楽な時ですね。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども先生のいい方も決して私の嬉しさを唆る浮々した調子を帯びていなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしその日は、時候が時候なので、そんなに調戯われるほど食欲が進まなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「どうせ助からない病気だそうですから、いくら心配したって仕方がありません」「そう思い切りよく考えれば、それまでですけれども」奥さんは昔同じ病気で死んだという自分のお母さんの事でも憶い出したのか、沈んだ調子でこういったなり下を向いた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
国へ帰る前に調える買物もあったし、ご馳走を詰めた胃袋にくつろぎを与える必要もあったので、ただ賑やかな町の方へ歩いて行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.