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One of the best Japanese Kanji dictionary.
何 means "what, how many, something."
A pronoun used to refer to an unspecified thing.
A word used to ask about something that is not clear.
A word used to refer to things or people without specifying them.
Not even one. Not even a little.
Why. How come.
A word used when asking strongly.
When do i get there?
What a good teacher mr hirayama is !
He will have his own way in everything.
How many hours does it take to go to okinawa by plane?
I asked my teacher what to do next.
何のご用ですか。
What do you want?
What do you usually have for breakfast?
No matter what he may do , he will be praised.
She looked around , but she couldn't see anything.
Can i have something to eat?
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
彼はやがて自分の傍を顧みて、そこにこごんでいる日本人に、一言二言何かいった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「誰の墓へ参りに行ったか、妻がその人の名をいいましたか」「いいえ、そんな事は何もおっしゃいません」「そうですか」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
依撒伯拉何々の墓だの、神僕ロギンの墓だのという傍に、一切衆生悉有仏生と書いた塔婆などが建ててあった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は安得烈と彫り付けた小さい墓の前で、「これは何と読むんでしょう」と先生に聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
――ご親類のお墓ですか」「いいえ」先生はこれ以外に何も答えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は先生といっしょにあすこいらが散歩してみたい」「私は墓参りに行くんで、散歩に行くんじゃないですよ」「しかしついでに散歩をなすったらちょうど好いじゃありませんか」先生は何とも答えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私と行きたくない口実だか何だか、私にはその時の先生が、いかにも子供らしくて変に思われた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
もし私の好奇心が幾分でも先生の心に向かって、研究的に働き掛けたなら、二人の間を繋ぐ同情の糸は、何の容赦もなくその時ふつりと切れてしまったろう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「あなたは何でそうたびたび私のようなものの宅へやって来るのですか」「何でといって、そんな特別な意味はありません」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だからなぜそうたびたび来るのかといって聞いたのです」「そりゃまたなぜです」私がこう聞き返した時、先生は何とも答えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
動いて何かに打つかりたいのでしょう……」「私はちっとも淋しくはありません」「若いうちほど淋しいものはありません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしそれ以外に私はこれといってとくに奥さんについて語るべき何物ももたないような気がした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それで始めて知り合いになった時の奥さんについては、ただ美しいという外に何の感じも残っていない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.