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One of the best Japanese Kanji dictionary.
時 means "time, hour, moment."
Seasons - Spring, Summer, Autumn, and Winter.
Time - A day divided into 24 parts (formerly 12 parts).
Flow of Time - The passing of days and months.
Opportunity - A suitable time.
When do i get there?
Give me some time to think it over.
I've got time on my hands.
How many hours does it take to go to okinawa by plane?
このようなことは時々起こることがある。
Such things can happen from time to time.
I'll be back within an hour.
I don't know where my watch is.
I think of watching tv as a waste of time.
He arrived in time.
She looked terrible at that time.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ある時は海の中が銭湯のように黒い頭でごちゃごちゃしている事もあった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私がその掛茶屋で先生を見た時は、先生がちょうど着物を脱いでこれから海へ入ろうとするところであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はその時反対に濡れた身体を風に吹かして水から上がって来た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それで翌日もまた先生に会った時刻を見計らって、わざわざ掛茶屋まで出かけてみた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生が昨日のように騒がしい浴客の中を通り抜けて、一人で泳ぎ出した時、私は急にその後が追い掛けたくなった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
或る時先生が例の通りさっさと海から上がって来て、いつもの場所に脱ぎ棄てた浴衣を着ようとすると、どうした訳か、その浴衣に砂がいっぱい着いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし先生から誘われた時、私はすぐ「ええ帰りましょう」と快く答えた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生と掛茶屋で出会った時、先生は突然私に向かって、「君はまだ大分長くここにいるつもりですか」と聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしにやにや笑っている先生の顔を見た時、私は急に極りが悪くなった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
若い私はその時|暗に相手も私と同じような感じを持っていはしまいかと疑った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は先生と別れる時に、「これから折々お宅へ伺っても宜ござんすか」と聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その時分の私は先生とよほど懇意になったつもりでいたので、先生からもう少し濃かな言葉を予期して掛ったのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生が私に示した時々の素気ない挨拶や冷淡に見える動作は、私を遠ざけようとする不快の表現ではなかったのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし帰って二日三日と経つうちに、鎌倉にいた時の気分が段々薄くなって来た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.