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One of the best Japanese Kanji dictionary.
打 means "hit, strike, beat, knock, tap."
To Hit, To Strike - To perform an action by hitting or striking something.
To Take, To Buy - To perform an action of taking or buying something.
A dozen - A group of twelve items.
There is nothing to compare with her beauty.
You had better make a clean breast of everything.
She revealed her secret to us.
I tried to sound out his views.
He is very mercenary.
The rain is beating against the window.
I whispered to him to come in.
It was a blow to us.
Mind your own business.
We could get over the difficulty.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その中に知った人を一人ももたない私も、こういう賑やかな景色の中に裹まれて、砂の上に寝そべってみたり、膝頭を波に打たしてそこいらを跳ね廻るのは愉快であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
動いて何かに打つかりたいのでしょう……」「私はちっとも淋しくはありません」「若いうちほど淋しいものはありません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
打ち明けてみようかと考えたり、止した方が好かろうかと思い直したりする動揺が、妙に私の様子をそわそわさせた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんの態度は私に媚びるというほどではなかったけれども、先刻の強い言葉を力めて打ち消そうとする愛嬌に充ちていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は今まで何遍あの人に、どうぞ打ち明けて下さいって頼んで見たか分りゃしません」「先生は何とおっしゃるんですか」「何にもいう事はない、何にも心配する事はない、おれはこういう性質になったんだからというだけで、取り合ってくれないんです」私は黙っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「碁だと盤が高過ぎる上に、足が着いているから、炬燵の上では打てないが、そこへ来ると将碁盤は好いね、こうして楽に差せるから」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうして漲る心臓の血潮の奥に、活動活動と打ちつづける鼓動を聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
門の柱に打ち付けた標札に何々園とあるので、その個人の邸宅でない事がすぐ知れた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
真面目に人生から教訓を受けたいのです」「私の過去を訐いてもですか」訐くという言葉が、突然恐ろしい響きをもって、私の耳を打った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
雨や風に打たれたりまた吹かれたりしたその藁の色はとくに変色して、薄く灰色を帯びた上に、所々の凸凹さえ眼に着いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はあからさまに自分の考えを打ち明けるには、あまりに距離の懸隔の甚しい父と母の前に黙然としていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それで両方へいよいよという場合には電報を打つから出て来いという意味を書き込めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
とにかく兄や妹の夫まで呼び寄せた私が、父の病気を打遣って、東京へ行く訳には行かなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の手紙を読まない前に、先生がこの電報を打ったという事が、先生を解釈する上において、何の役にも立たないのは知れているのに。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.