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One of the best Japanese Kanji dictionary.
態 means "state, attitude, posture."
Form, Appearance - The physical shape or form of something.
Manner, Style - The way something is done or presented.
Intentionally, Deliberately - Done on purpose or with a specific goal in mind.
She stands in great danger.
Mary asked after his father.
There are several forms of government.
I think these attitudes are behind the times.
You are rude.
We're in no danger now.
The situation hasn't changed at all.
He is in a poor state of health.
She may not like his attitude.
I asked after my sick friend.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども先生の私に対する態度は初めて挨拶をした時も、懇意になったその後も、あまり変りはなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今考えるとその時の私の態度は、私の生活のうちでむしろ尊むべきものの一つであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども先生の態度の真面目であったのと、調子の沈んでいたのとは、いまだに記憶に残っている。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の頭さえあれば、こういう態度は坐って世の中を考えていても自然と出て来るものだろうか。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんの態度は私に媚びるというほどではなかったけれども、先刻の強い言葉を力めて打ち消そうとする愛嬌に充ちていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんの態度が旧式の日本の女らしくないところも私の注意に一種の刺戟を与えた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
不思議にもその鼓動の音が、ある微妙な意識状態から、先生の力で強められているように感じた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それでもその日私の気力は、因循らしく見える先生の態度に逆襲を試みるほどに生々していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし先生の方では、それに気が付いていたのか、いないのか、まるで私の態度に拘泥る様子を見せなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はむしろ先生の態度に畏縮して、先へ進む気が起らなかったのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生も奥さんも、今のような態度でいるより外に仕方がないだろうと思った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
自分が好いと思い込んだら、なかなか私のいう事なんか、聞きそうにもなさらないんだからね」私はこの前帰った時、無理に床を上げさして、髭を剃った父の様子と態度とを思い出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は強いても何かの事情を仮定して先生の態度を弁護しなければ不安になった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は取り散らした書物の間に坐って、心細そうな父の態度と言葉とを、幾度か繰り返し眺めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.