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One of the best Japanese Kanji dictionary.
黙 means "silence, quiet, mute."
Be Silent - Refrain from speaking or making any noise.
Be Quiet - Refrain from making any loud noises.
Be Still - Remain motionless and undisturbed.
Be Quietly - Remain in a state of quietness and peace.
Be Unresponsive - Refrain from responding to any stimulus.
He was silent all the time.
She kept silent about the problem.
The teacher told mary to hold her tongue.
君は黙っていさえすればよい。
You have only to keep silent.
彼はしばらく黙っていた。
He kept silent for a while.
Just shut up and get on with your work !
It was his silence which made her angry.
黙っていなさい。
Hold your tongue !
みんな黙っていた。
All were silent.
He kept silent during the meeting.
私が丸い墓石だの細長い御影の碑だのを指して、しきりにかれこれいいたがるのを、始めのうちは黙って聞いていたが、しまいに「あなたは死という事実をまだ真面目に考えた事がありませんね」といった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は黙った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「すぐお宅へお帰りですか」「ええ別に寄る所もありませんから」二人はまた黙って南の方へ坂を下りた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんは黙っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
黙って針仕事か何かしている奥さんの耳に私の話し声が聞こえるという事も知っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんは飲み干した紅茶茶碗の底を覗いて黙っている私を外らさないように、「もう一杯上げましょうか」と聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
飲んでしまっても黙っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は今まで何遍あの人に、どうぞ打ち明けて下さいって頼んで見たか分りゃしません」「先生は何とおっしゃるんですか」「何にもいう事はない、何にも心配する事はない、おれはこういう性質になったんだからというだけで、取り合ってくれないんです」私は黙っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうして我々は沈黙に鎖ざされた人のようにしばらく動かずにいた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
いつもの通り沈黙がちに落ち付き払った歩調をすまして運んで行くので、私は少し業腹になった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それよりか黙ってる丈夫の人の方が剣呑さ」私は理屈から出たとも統計から来たとも知れない、この陳腐なような母の言葉を黙然と聞いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はあからさまに自分の考えを打ち明けるには、あまりに距離の懸隔の甚しい父と母の前に黙然としていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はそれでもまだ黙っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.