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One of the best Japanese Kanji dictionary.
寝 means "sleep, lie down."
Sleep, Rest - To sleep or rest, to lie down, to go to bed.
Room, Chamber - A room, a chamber, a back room.
Stop, Cease - To stop, to cease, to discontinue.
Shrine - A shrine to honor the spirits of ancestors.
Ugly - Unattractive in appearance or behavior.
He took a look at the newspaper before going to bed.
Don't go back to sleep !
He overslept this morning.
明かりをつけっぱなしにしたままで寝てはいけない。
Don't sleep with the light left on.
He was in bed with a cold.
He has been ill in bed for four days.
もう寝るときだ。
It is time to go to bed.
She used to pray before going to bed.
Jane keeps early hours.
I slept the whole afternoon away.
その中に知った人を一人ももたない私も、こういう賑やかな景色の中に裹まれて、砂の上に寝そべってみたり、膝頭を波に打たしてそこいらを跳ね廻るのは愉快であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生はまたぱたりと手足の運動を已めて仰向けになったまま浪の上に寝た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんは寝られないといけないといって、茶碗に手を触れなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
するとその一日二日の間に、父の寝ている様子だの、母の心配している顔だのが時々眼に浮かんだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
何しろ傍に寝ていた細君が看病をする暇もなんにもないくらいなんですからね。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかも細君は夫が寝ているとばかり思ってたんだっていうんだから」今まで楽天的に傾いていた私は急に不安になった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
この芍薬|畠の傍にある古びた縁台のようなものの上に先生は大の字なりに寝た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「先生帽子が落ちました」「ありがとう」身体を半分起してそれを受け取った先生は、起きるとも寝るとも片付かないその姿勢のままで、変な事を私に聞いた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大分日が永くなったようだが、やっぱりこう安閑としているうちには、いつの間にか暮れて行くんだね」先生の背中には、さっき縁台の上に仰向きに寝た痕がいっぱい着いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
都合の好いも悪いもなしにただぶらぶら古い家の中に寝起きしている私に、こんな問いを掛けるのは、父の方が折れて出たのと同じ事であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
父は医者から安臥を命ぜられて以来、両便とも寝たまま他の手で始末してもらっていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.