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One of the best Japanese Kanji dictionary.
恐 means "fear, dread, terror."
Fear, Be Afraid - To feel fear or dread.
Terrifying, Scary - Something that is frightening or intimidating.
Intimidate, Threaten - To make someone feel afraid or intimidated.
Probably, Maybe, Surely - Expressing a high degree of certainty.
She looked terrible at that time.
Don't be afraid of seeing the doctor.
あなたは恐れることは何もない。
There is nothing for you to be afraid of.
He is afraid of his father.
まったく恐ろしいことだわ。
It's really horrible.
そういうのって恐いですね。
I have a phobia for that.
I am sorry to have taken up your valuable time.
Child as she was , she was not afraid.
He is much afraid of dogs.
There was fear in her eyes.
海水着を持たない私にも持物を盗まれる恐れはあったので、私は海へはいるたびにその茶屋へ一切を脱ぎ棄てる事にしていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生はそれでなくても、冷たい眼で研究されるのを絶えず恐れていたのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それが、いざという間際に、急に悪人に変るんだから恐ろしいのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
真面目に人生から教訓を受けたいのです」「私の過去を訐いてもですか」訐くという言葉が、突然恐ろしい響きをもって、私の耳を打った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
学校を卒業するのを普通の人間として当然のように考えていた私は、それを予期以上に喜んでくれる父の前に恐縮した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は帰った当日から、あるいはこんな事になるだろうと思って、心のうちで暗にそれを恐れていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は父に叱られたり、母の機嫌を損じたりするよりも、先生から見下げられるのを遥かに恐れていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし恐れてはいけません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
田舎で畠地などを売ろうとしたって容易には売れませんし、いざとなると足元を見て踏み倒される恐れがあるので、私の受け取った金額は、時価に比べるとよほど少ないものでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
断られるのが恐ろしいからではありません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
肉体なり精神なりすべて我々の能力は、外部の刺戟で、発達もするし、破壊されもするでしょうが、どっちにしても刺戟を段々に強くする必要のあるのは無論ですから、よく考えないと、非常に険悪な方向へむいて進んで行きながら、自分はもちろん傍のものも気が付かずにいる恐れが生じてきます。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.