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One of the best Japanese Kanji dictionary.
対 means "pair, opposite, counter, versus."
Responding - Responding to a question from someone of higher status.
Facing - Facing each other, facing off.
Partner - A partner, someone to accompany.
Pair - Two things that make up a pair.
I supported her even against my father.
He is neither for nor against the plan.
He opposed the plan to the last.
He kindly answered questions.
I'm against the bill.
The very opposite is the truth.
The committee are all against it.
His help is indispensable to us.
Are you for or against my plan?
There's no one here who can deal with the problem.
私はその時反対に濡れた身体を風に吹かして水から上がって来た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
むしろそれとは反対で、不安に揺かされるたびに、もっと前へ進みたくなった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれどもすべての人間に対して、若い血がこう素直に働こうとは思わなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は往来で学生の顔を見るたびに新しい学年に対する希望と緊張とを感じた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生はこれらの墓標が現わす人種々の様式に対して、私ほどに滑稽もアイロニーも認めてないらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども先生の私に対する態度は初めて挨拶をした時も、懇意になったその後も、あまり変りはなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
こういう感じを先生に対してもっていたものは、多くの人のうちであるいは私だけかも知れない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし私はいつでも先生に付属した一部分のような心持で奥さんに対していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
家庭の一員として暮した事のない私のことだから、深い消息は無論|解らなかったけれども、座敷で私と対坐している時、先生は何かのついでに、下女を呼ばないで、奥さんを呼ぶ事があった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そういう意味からいって、私たちは最も幸福に生れた人間の一対であるべきはずです」私は今前後の行き掛りを忘れてしまったから、先生が何のためにこんな自白を私にして聞かせたのか、判然いう事ができない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その時ただ私の耳に異様に響いたのは、「最も幸福に生れた人間の一対であるべきはずです」という最後の一句であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の新橋行きは前日わざわざ告別に来た友人に対する礼義としてその日突然起った出来事であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかも先生は私がこの問いに対して答えられないという事もよく承知していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.