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One of the best Japanese Kanji dictionary.
身 means "body, oneself."
Body - The physical body, torso, or flesh.
Self - Oneself, from oneself, or by oneself.
Center - The center of an object or the trunk of a tree.
Oneself - Me, myself, or I.
Pregnancy - To become pregnant or to carry a child.
Meat - The flesh of an animal.
It's a cinch to learn to swim.
English is difficult to learn.
How tall is he?
He is in bonds.
It is beginning to tell on him.
Being only a student , i can't afford to get married.
How tall is he?
He is as tall as my father.
He is from this town.
Put your heart into your business.
彼らはここで茶を飲み、ここで休息する外に、ここで海水着を洗濯させたり、ここで鹹はゆい身体を清めたり、ここへ帽子や傘を預けたりするのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はその時反対に濡れた身体を風に吹かして水から上がって来た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
掛茶屋へ帰ると、井戸の水も浴びずに、すぐ身体を拭いて着物を着て、さっさとどこへか行ってしまった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
鎌倉にいた時、私は先生自身の口から、いつでも大抵宅にいるという事を聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
自分と切り離された他人の事実でなくって、自分自身が痛切に味わった事実、血が熱くなったり脈が止まったりするほどの事実が、畳み込まれているらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「奥さん自身嘘と知りながらそうおっしゃるんでしょう」「なぜ」「私にいわせると、奥さんが好きになったから世間が嫌いになるんですもの」「あなたは学問をする方だけあって、なかなかお上手ね」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そう思われるのは身を切られるより辛いんだから」と奥さんがまたいった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
子供のない奥さんは、そういう世話を焼くのがかえって退屈凌ぎになって、結句身体の薬だぐらいの事をいっていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども元々身に着いているものだから、出すまいと思っても、いつかそれが父や母の眼に留まった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「先生帽子が落ちました」「ありがとう」身体を半分起してそれを受け取った先生は、起きるとも寝るとも片付かないその姿勢のままで、変な事を私に聞いた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生自身の経験を持たない私は無論そこに気が付くはずがなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は風の通らない厚羅紗の下に密封された自分の身体を持て余した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.