Share this link via
Or copy link
One of the best Japanese Kanji dictionary.
絶 means "to cut off, to sever, to abstain, to be extinct."
Endure, Bear - To be able to withstand or tolerate something.
Cut Off, Break Off - To sever or discontinue something abruptly.
Perish, Destroy - To be ruined or destroyed.
Refuse, Deny - To reject or decline something.
Extremely, Unparalleled - To be of the highest degree or quality.
Cross, Traverse - To go or pass over something.
Separate, Distant - To be far apart or distant from each other.
His help is indispensable to us.
I am the last to believe such a thing.
I'm on top of the world.
What he says is gospel.
They despaired of their son.
Your idea is absolutely impossible.
I'm dead against the plan.
気絶しそうだ。
I think i'm going to faint.
She has broken with him.
If you break your promise we're through , right?
先生はそれでなくても、冷たい眼で研究されるのを絶えず恐れていたのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それがまた滅多に起る現象でなかった事も、その後絶えず出入りをして来た私にはほぼ推察ができた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
馳足で絶壁の端まで来て、急に底の見えない谷を覗き込んだ人のように。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれどもそんな家族のうちに、私のようなものが、突然行ったところで、素性の知れない書生さんという名称のもとに、すぐ拒絶されはしまいかという掛念もありました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は他を信じないと心に誓いながら、絶対にお嬢さんを信じていたのですから。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
Kの来た後は、もしかするとお嬢さんがKの方に意があるのではなかろうかという疑念が絶えず私を制するようになったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の心は半分その自白を聞いていながら、半分どうしようどうしようという念に絶えず掻き乱されていましたから、細かい点になるとほとんど耳へ入らないと同様でしたが、それでも彼の口に出す言葉の調子だけは強く胸に響きました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その二、三日の間Kに対する絶えざる不安が私の胸を重くしていたのはいうまでもありません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
馳足で絶壁の端まで来て、急に底の見えない谷を覗き込んだ人のように。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.