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One of the best Japanese Kanji dictionary.
実 means "fruit, reality, truth, actuality."
Fruit, Seed Of A Plant - Refers to the fruit or seed of a plant.
Bearing Fruit - Refers to a plant bearing fruit.
Abundance - Refers to being full or abundant.
Truth - Refers to truthfulness or sincerity.
Sincerity - Refers to being genuine or honest.
It is the fact that i want to know.
I am reluctant to tell her the truth.
To tell the truth , i didn't do my homework.
It won't be long before we know the truth.
I treated her as my own daughter.
The very opposite is the truth.
In fact i don't know anything about it.
If she were here now , i would tell her the truth.
It is time you told her the truth.
In fact , i am happy.
けれども実際彼の母が病気であるとすれば彼は固より帰るべきはずであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私が丸い墓石だの細長い御影の碑だのを指して、しきりにかれこれいいたがるのを、始めのうちは黙って聞いていたが、しまいに「あなたは死という事実をまだ真面目に考えた事がありませんね」といった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしその私だけにはこの直感が後になって事実の上に証拠立てられたのだから、私は若々しいといわれても、馬鹿げていると笑われても、それを見越した自分の直覚をとにかく頼もしくまた嬉しく思っている。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私と行きたくない口実だか何だか、私にはその時の先生が、いかにも子供らしくて変に思われた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私もお墓参りをしますから」実際私には墓参と散歩との区別がほとんど無意味のように思われたのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生は事実はたして幸福なのだろうか、また幸福であるべきはずでありながら、それほど幸福でないのだろうか。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
実際先生は時々昔の同級生で今著名になっている誰彼を捉えて、ひどく無遠慮な批評を加える事があった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれどもその思想家の纏め上げた主義の裏には、強い事実が織り込まれているらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
自分と切り離された他人の事実でなくって、自分自身が痛切に味わった事実、血が熱くなったり脈が止まったりするほどの事実が、畳み込まれているらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
分り切ってるとおっしゃるんですか」「まあそうよ」「そのくらい先生に忠実なあなたが急にいなくなったら、先生はどうなるんでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だから実際の女の前へ出ると、私の感情が突然変る事が時々あった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はただ誠実なる先生の批評家および同情家として奥さんを眺めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.