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One of the best Japanese Kanji dictionary.
稽 means "consider, practice." Also associated with compare.
Consider - To think carefully about.
Practice - To rehearse; to train.
Compare - To examine for similarities.
Bow - To show respect by bending.
A single kanji rarely maps one-to-one onto an English word. Read the meanings and associations above as a set — a character that fits the dictionary definition can still carry a connotation you did not intend.
Surnames
稽(ほりどめ)
The meaning above is based on the following sources:
think; consider
examine, investigate; delay
surname Ji
to examine, to investigate
それは滑稽だ。
That will be funny.
She absented herself from the lesson.
His affected manner of speaking seemed very absurd to me.
I just got done with practice, and now I'm lying down.
He told us such a funny story that we all laughed.
The dancer in the middle of the room is ready to begin.
彼らはけんかをしているのではなく、劇の稽古をしているところだ。
They aren't quarreling, but are rehearsing a play.
滑稽な話をしている真最中に彼に電話がかかってきたので話を中止した。
He was in the middle of a funny story when he stopped to answer the telephone.
そのパーティーで彼の振る舞いはあまりに滑稽だったので、私は笑わずにはいられなかった。
His behavior at the party was so humorous that I could not help laughing.
荒唐無稽と皆に言われた彼のビジネスプランだけど、今となっては我々の不明を恥じるしかないのかね。
Every one of us who ridiculed his business plan as a bunch of hokum should be embarrassed we did.
先生はこれらの墓標が現わす人種々の様式に対して、私ほどに滑稽もアイロニーも認めてないらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それを母が灰の中から見付け出して、火箸で挟み上げるという滑稽もあった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私には母の料簡が解らないというよりも、その言葉が一種の滑稽として訴えたのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「どうせ死ぬんだから、旨いものでも食って死ななくっちゃ」私には旨いものという父の言葉が滑稽にも悲酸にも聞こえた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
Kはお嬢さんが学問以外に稽古している縫針だの琴だの活花だのを、まるで眼中に置いていないようでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
無論策略からですが、その態度に相応するくらいな緊張した気分もあったのですから、自分に滑稽だの羞恥だのを感ずる余裕はありませんでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
すると奥さんが私を引き留めて、もし早い方が希望ならば、今日でもいい、稽古から帰って来たら、すぐ話そうというのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
Kはお嬢さんが学問以外に稽古している縫針だの琴だの活花だのを、まるで眼中に置いていないようでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
無論策略からですが、その態度に相応するくらいな緊張した気分もあったのですから、自分に滑稽だの羞恥だのを感ずる余裕はありませんでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
すると奥さんが私を引き留めて、もし早い方が希望ならば、今日でもいい、稽古から帰って来たら、すぐ話そうというのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.