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One of the best Japanese Kanji dictionary.
非 means "not, non-."
Criticize - To express disapproval or criticism of someone or something.
Blame - To hold someone responsible for a fault or wrong.
Deny - To refuse to accept or acknowledge something.
Bad - Of a low or inferior standard or quality.
Mistake - An action or judgment that is misguided or wrong.
Unfair - Not based on or behaving according to the principles of justice and fairness.
I cannot find fault with him.
She walked very carefully.
John seems very honest by nature.
I want to see him at all costs.
I was much amused at the idea.
We were greatly amused by her story.
This is very important.
He worked so hard that he succeeded.
Your question is very hard to answer.
Parts of the book are quite good.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
わからないから気の毒でたまらないんです」奥さんの語気には非常に同情があった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうして非常に怖くなったんです」私はもう少し先まで同じ道を辿って行きたかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
学校の先生に聞いた方が好いでしょう」先生は一時非常の読書家であったが、その後どういう訳か、前ほどこの方面に興味が働かなくなったようだと、かつて奥さんから聞いた事があるのを、私はその時ふと思い出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
安かろうと思って聞くと、非常に高かったり、高かろうと考えて、聞かずにいると、かえって大変安かったりした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は修業中のからだですから、学生として大切な時間を奪われるのは非常の苦痛だとも考えました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その男がこの家庭の一員となった結果は、私の運命に非常な変化を来しています。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
肉体なり精神なりすべて我々の能力は、外部の刺戟で、発達もするし、破壊されもするでしょうが、どっちにしても刺戟を段々に強くする必要のあるのは無論ですから、よく考えないと、非常に険悪な方向へむいて進んで行きながら、自分はもちろん傍のものも気が付かずにいる恐れが生じてきます。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
詫びながら自分が非常に下等な人間のように見えて、急に厭な心持になるのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ことに細い石橋を渡って柳町の通りへ出る間が非道かったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
なぜ先刻Kの言葉を遮って、こっちから逆襲しなかったのか、そこが非常な手落りのように見えて来ました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
彼はいつも話す通り頗る強情な男でしたけれども、一方ではまた人一倍の正直者でしたから、自分の矛盾などをひどく非難される場合には、決して平気でいられない質だったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
(固より世間体の上だけで助かったのですが、その世間体がこの場合、私にとっては非常な重大事件に見えたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
私は修業中のからだですから、学生として大切な時間を奪われるのは非常の苦痛だとも考えました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.