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One of the best Japanese Kanji dictionary.
修 means "repair, mend, fix."
To be corrected or improved - To become correct or better, to be in good shape or condition, to be equipped with something.
To correct or improve - To make correct or better, to shape or form something, to learn or acquire something.
To decorate - To adorn or embellish something.
To be long - To be of a great length.
To compile a book - To arrange or organize a book or writing.
To be good or beautiful - To be of good quality, to be attractive or handsome.
My bicycle needs fixing.
The rule should be revised.
He repaired my watch for me.
My watch needs to be repaired.
Our telephone is out of order so i shall have it repaired.
The road is under repair.
I can't seem to get him to fix this machine.
The building is incapable of repair.
I put my watch in for repair.
He repairs his own car.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし東京へ修業に出たばかりの私には、それが遠眼鏡で物を見るように、遥か先の距離に望まれるだけでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
後から考えると、私自身がすでにその組だったのですが、私はそれさえ分らずに、ただ子供らしく愉快に修学の道を歩いて行きました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は修業中のからだですから、学生として大切な時間を奪われるのは非常の苦痛だとも考えました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし次男を東京へ修業に出すほどの余力があったかどうか知りません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
また修業に出られる便宜があるので、養子の相談が纏まったものかどうか、そこも私には分りません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大抵は書物の話と学問の話と、未来の事業と、抱負と、修養の話ぐらいで持ち切っていたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私がこういった時、彼はただ自分の修養が足りないから、他にはそう見えるかも知れないと答えただけで、一向私を反駁しようとしませんでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
洛中がその始末であるから、羅生門の修理などは、元より誰も捨てて顧る者がなかった。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
しかし東京へ修業に出たばかりの私には、それが遠眼鏡で物を見るように、遥か先の距離に望まれるだけでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
後から考えると、私自身がすでにその組だったのですが、私はそれさえ分らずに、ただ子供らしく愉快に修学の道を歩いて行きました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は修業中のからだですから、学生として大切な時間を奪われるのは非常の苦痛だとも考えました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし次男を東京へ修業に出すほどの余力があったかどうか知りません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
また修業に出られる便宜があるので、養子の相談が纏まったものかどうか、そこも私には分りません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大抵は書物の話と学問の話と、未来の事業と、抱負と、修養の話ぐらいで持ち切っていたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私がこういった時、彼はただ自分の修養が足りないから、他にはそう見えるかも知れないと答えただけで、一向私を反駁しようとしませんでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.