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One of the best Japanese Kanji dictionary.
暮 means "evening, dusk, end of the day."
Dusk - The end of the day when the sun sets.
End of a period of time - When a year, month, season, or other period of time is coming to an end.
Evening - The end of the day or season.
Living - Spending one's days and living one's life.
She lives in new york.
I began living by myself.
He never goes out after dark.
He lives in quiet.
She has lived alone ever since her husband died.
He is better off now than he was five years ago.
I am accustomed to living alone.
We live in peace.
The old man lived by himself.
The night falls fast in winter.
家庭の一員として暮した事のない私のことだから、深い消息は無論|解らなかったけれども、座敷で私と対坐している時、先生は何かのついでに、下女を呼ばないで、奥さんを呼ぶ事があった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の行ったのはまだ灯の点くか点かない暮れ方であったが、几帳面な先生はもう宅にいなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の方はまだ先生の暮し向きに関して、何も聞いた事がなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
要するに先生の暮しは贅沢といえないまでも、あたじけなく切り詰めた無弾力性のものではなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大分日が永くなったようだが、やっぱりこう安閑としているうちには、いつの間にか暮れて行くんだね」先生の背中には、さっき縁台の上に仰向きに寝た痕がいっぱい着いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
まあこうしてどうかこうか暮してゆかれるだけよ、あなた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そう考える私はまたここの土を離れて、東京で気楽に暮らして行けるだろうか。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「もう大丈夫」父は去年の暮倒れた時に私に向かっていったと同じ言葉をまた繰り返した」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ご承知の通り、交際区域の狭いというよりも、世の中にたった一人で暮しているといった方が適切なくらいの私には、そういう努力をあえてする余地が全くないのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
二日|家へ帰ると三日は市の方で暮らすといった風に、両方の間を往来して、その日その日を落ち付きのない顔で過ごしていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
たとい学校を中途で已めようが、またどこへ行ってどう暮らそうが、あるいはどこの何者と結婚しようが、誰とも相談する必要のない位地に立っていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の友達に横浜の商人か何かで、宅はなかなか派出に暮しているものがありましたが、そこへある時|羽二重の胴着が配達で届いた事があります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の郷里で暮らしたその二カ月間が、私の運命にとって、いかに波瀾に富んだものかは、前に書いた通りですから繰り返しません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
我々は夕暮の本郷台を急ぎ足でどしどし通り抜けて、また向うの岡へ上るべく小石川の谷へ下りたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
妻の家にも親子二人ぐらいは坐っていてどうかこうか暮して行ける財産がある上に、私も職業を求めないで差支えのない境遇にいたのですから、そう思われるのももっともです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.