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One of the best Japanese Kanji dictionary.
台 means "stand, pedestal, platform, counter, table, desk."
Platform - A high structure or building.
Court - A government office or authority.
Tool - An object used to carry people or things.
Flat land - A high and flat piece of land.
Foundation - Something that serves as the basis for something else.
Honorific - A word used to show respect to someone else.
Counting word - A word used to count machines or vehicles.
Taiwan - An abbreviation for "Taiwan(台湾)".
We had a storm yesterday.
台所をきれいにしなさい。
Clean up the kitchen.
The typhoon made that difficult.
He does not live in sendai.
Little did i think there would be a typhoon.
Mother is in the kitchen.
She is going to sendai this spring.
The two cars tried to make way for each other.
Today's play really moved me.
We have breakfast in the kitchen.
先生は眼鏡をとって台の上に置いて、すぐ手拭で頭を包んで、すたすた浜を下りて行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
この芍薬|畠の傍にある古びた縁台のようなものの上に先生は大の字なりに寝た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
財産家ならもっと大きな家でも造るさ」この時先生は起き上って、縁台の上に胡坐をかいていたが、こういい終ると、竹の杖の先で地面の上へ円のようなものを描き始めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
縁台の横から後部へ掛けて植え付けてある杉苗の傍に、熊笹が三坪ほど地を隠すように茂って生えていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大分日が永くなったようだが、やっぱりこう安閑としているうちには、いつの間にか暮れて行くんだね」先生の背中には、さっき縁台の上に仰向きに寝た痕がいっぱい着いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ある日私はまあ宅だけでも探してみようかというそぞろ心から、散歩がてらに本郷台を西へ下りて小石川の坂を真直に伝通院の方へ上がりました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
実をいうと、私がそんな言葉を創造したのも、お嬢さんに対する私の感情が土台になっていたのですから、事実を蒸溜して拵えた理論などをKの耳に吹き込むよりも、原の形そのままを彼の眼の前に露出した方が、私にはたしかに利益だったでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
我々は夕暮の本郷台を急ぎ足でどしどし通り抜けて、また向うの岡へ上るべく小石川の谷へ下りたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はとうとう万世橋を渡って、明神の坂を上がって、本郷台へ来て、それからまた菊坂を下りて、しまいに小石川の谷へ下りたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ある日私はまあ宅だけでも探してみようかというそぞろ心から、散歩がてらに本郷台を西へ下りて小石川の坂を真直に伝通院の方へ上がりました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
実をいうと、私がそんな言葉を創造したのも、お嬢さんに対する私の感情が土台になっていたのですから、事実を蒸溜して拵えた理論などをKの耳に吹き込むよりも、原の形そのままを彼の眼の前に露出した方が、私にはたしかに利益だったでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
我々は夕暮の本郷台を急ぎ足でどしどし通り抜けて、また向うの岡へ上るべく小石川の谷へ下りたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はとうとう万世橋を渡って、明神の坂を上がって、本郷台へ来て、それからまた菊坂を下りて、しまいに小石川の谷へ下りたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.