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One of the best Japanese Kanji dictionary.
永 means "eternity, permanence."
Long - Lasting for a long time or distance.
Far - Distant in space or time.
Eternal - Lasting forever.
Permanent - Lasting without end.
Limitless - Having no boundaries or limits.
Endless - Continuing without end.
Prolong - To make something last longer.
I regret to say he's gone for good.
She will love her husband for good.
It's you i'll always love.
We cannot live on it forever.
She has decided to live in america for good.
Have you given up smoking for good and all?
I will love you forever.
Has bob left the company for good this time?
He's gone to his rest.
He will leave here for good.
大分日が永くなったようだが、やっぱりこう安閑としているうちには、いつの間にか暮れて行くんだね」先生の背中には、さっき縁台の上に仰向きに寝た痕がいっぱい着いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
永年住み古した田舎家の中に、たった一人取り残されそうな母を描き出す父の想像はもとより淋しいに違いなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その代り永くはいけないよ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
したがって、それを利用できる時に利用しなければ、私の過去をあなたの頭に間接の経験として教えて上げる機会を永久に逸するようになります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしその自由はまた永久に失われなければならない」私は心のうちでこう繰り返しながら、その意味を知るに苦しんだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あなたは返電を掛けて、今東京へは出られないと断って来ましたが、私は失望して永らくあの電報を眺めていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あなたに会って静かに話す機会を永久に失った私は、筆を執る術に慣れないばかりでなく、貴い時間を惜むという意味からして、書きたい事も省かなければなりません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
三度目の夏はちょうど私が永久に父母の墳墓の地を去ろうと決心した年です。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は彼に、もし我ら二人だけが男同志で永久に話を交換しているならば、二人はただ直線的に先へ延びて行くに過ぎないだろうといいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ぐるぐる廻りながら、その夜明を待ち焦れた私は、永久に暗い夜が続くのではなかろうかという思いに悩まされました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
後で考えると、それが乃木大将の永久に去った報知にもなっていたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今この下人が、永年、使われていた主人から、暇を出されたのも、実はこの衰微の小さな余波にほかならない。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
しかも、肩とか胸とかの高くなっている部分に、ぼんやりした火の光をうけて、低くなっている部分の影を一層暗くしながら、永久に唖の如く黙っていた。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
あなたは返電を掛けて、今東京へは出られないと断って来ましたが、私は失望して永らくあの電報を眺めていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.