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One of the best Japanese Kanji dictionary.
平 means "flat, even, level."
Flat, Even, Smooth - Without any bumps or dips.
Calm, Peaceful - Without any bias or inequality.
To Level, Calm, Rule - To make even or peaceful.
Ordinary, Normal - Without anything special.
To Settle, Settle Down - To become orderly or peaceful.
What a good teacher mr hirayama is !
We all wish for permanent world peace.
I don't care what people say.
She is always complaining of one thing or another.
Try to write in plain english.
He made a speech in connection with world peace.
We live in peace.
There is no one that does not long for world peace.
She does nothing but complain.
We will keep the peace at all costs.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の精神は反抗の意味というよりも、世間が先生を知らないで平気でいるのが残念だったからである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私にはそれが失望だか、不平だか、悲哀だか、解らなかったけれども、何しろ二の句の継げないほどに強いものだったので、私はそれぎり何もいう勇気が出なかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
普通|男女の間に横たわる思想の不平均という考えもほとんど起らなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「私は風邪ぐらいなら我慢しますが、それ以上の病気は真平です」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「自分で病気に罹っていながら、気が付かないで平気でいるのがあの病の特色です」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
まあ早くいえば老い込んだのです」先生の言葉はむしろ平静であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
どのくらいの財産をもっていらっしゃるんですか」「私は財産家と見えますか」先生は平生からむしろ質素な服装をしていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
金を見ると、どんな君子でもすぐ悪人になるのさ」私には先生の返事があまりに平凡過ぎて詰らなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今までちらほらと見えた広い畠の斜面や平地が、全く眼に入らないように左右の家並が揃ってきた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
いつもの私ならすぐ何とかいうはずであったが、その時の私はまるで平生と違っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし私はこの簡単な一句のうちに、父が平生から私に対してもっている不平の全体を見た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はその時自分の言葉使いの角張ったところに気が付かずに、父の不平の方ばかりを無理のように思った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
母は父が庭へ出たり背戸へ下りたりする元気を見ている間だけは平気でいるくせに、こんな事が起るとまた必要以上に心配したり気を揉んだりした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
淋しいからもっといてくれというのが重な理由であったが、母や私が、食べたいだけ物を食べさせないという不平を訴えるのも、その目的の一つであったらしい。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.