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One of the best Japanese Kanji dictionary.
失 means "loss, failure, mistake."
Lose, Misplace - To lose something or misplace it.
Neglect, Omit - To neglect or omit something.
Mistake, Error - To make a mistake or error.
Failure - To fail at something.
Escape, Flee - To escape or flee from something.
Indulge, Pamper - To indulge or pamper oneself.
The play was far from being a failure.
All our attempts failed.
Everybody fails once or twice.
The work cost him his life.
He tried hard , but failed.
You are to blame for the failure.
まったくの失敗であった。
It was a complete failure.
She will fail eventually.
Don't laugh at my failure.
Our effort ended in failure.
先生は白絣の上へ兵児帯を締めてから、眼鏡の失くなったのに気が付いたと見えて、急にそこいらを探し始めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
人違いじゃないですか」といったので私は変に一種の失望を感じた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はまた軽微な失望を繰り返しながら、それがために先生から離れて行く気にはなれなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私にはそれが失望だか、不平だか、悲哀だか、解らなかったけれども、何しろ二の句の継げないほどに強いものだったので、私はそれぎり何もいう勇気が出なかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
時々|持駒を失くして、次の勝負の来るまで双方とも知らずにいたりした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
失礼のようだが」「どのくらいって、山と田地が少しあるぎりで、金なんかまるでないんでしょう」先生が私の家の経済について、問いらしい問いを掛けたのはこれが始めてであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
やっぱり心に丈夫の所があるのかも知れないよ」母は失望していいところにかえって頼みを置いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしその自由はあなたの上京を待っているうちにはまた失われてしまう世間的の自由に過ぎないのであります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしその自由はまた永久に失われなければならない」私は心のうちでこう繰り返しながら、その意味を知るに苦しんだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あなたは返電を掛けて、今東京へは出られないと断って来ましたが、私は失望して永らくあの電報を眺めていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はこの公認された事実を勝手に布衍しているかも知れないが、始終接触して親しくなり過ぎた男女の間には、恋に必要な刺戟の起る清新な感じが失われてしまうように考えています。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
一時事業で失敗しかかっていたように他から思われていたのに、この二、三年来また急に盛り返して来たというのも、その一つでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.