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One of the best Japanese Kanji dictionary.
仕 means "work, serve, do."
Serve - To serve a higher-ranking person or official.
Become an official - To become a government official or bureaucrat.
Follow - To follow a person of higher status.
Work - To do work.
A humble form of the words "to do" or "to perform".
You don't have to work on sundays.
She will cope with all the work.
I've left that line of business.
I had an accident at work.
He is still green at the job.
I can't take any more work.
Sunday is not a workday for me.
She continued her job in the bank.
He did the work better than anyone else.
Let me do my work in peace.
その時先生は沈んだ調子で、「どうしても私は世間に向かって働き掛ける資格のない男だから仕方がありません」といった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「先生はなぜああやって、宅で考えたり勉強したりなさるだけで、世の中へ出て仕事をなさらないんでしょう」「あの人は駄目ですよ」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「私が先生から離れて行くようにお思いになれば仕方がありませんが、私にそんな気の起った事はまだありません」先生は私の言葉に耳を貸さなかった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
どうも仕方がない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
黙って針仕事か何かしている奥さんの耳に私の話し声が聞こえるという事も知っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
自分を呪うより外に仕方がないのです」「そうむずかしく考えれば、誰だって確かなものはないでしょう」「いや考えたんじゃない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども奥さんから徒らに議論を仕掛ける男のように取られては困ると思って遠慮した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「何かいうとまた議論を仕掛けるなんて、叱り付けられそうですから」と私は答えた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そんな事、先生に聞いて見るより外に仕方がないじゃありませんか。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そういわれると、私悲しくなって仕様がないんです、涙が出てなおの事自分の悪い所が聞きたくなるんです」奥さんは眼の中に涙をいっぱい溜めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は先生の宅へ出はいりをするついでに、衣服の洗い張りや仕立て方などを奥さんに頼んだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
実際その時の私は、自分のなすべきすべての仕事がすでに結了して、これから先は威張って遊んでいても構わないような晴やかな心持でいた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
飯になった時、奥さんは傍に坐っている下女を次へ立たせて、自分で給仕の役をつとめた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「どうせ助からない病気だそうですから、いくら心配したって仕方がありません」「そう思い切りよく考えれば、それまでですけれども」奥さんは昔同じ病気で死んだという自分のお母さんの事でも憶い出したのか、沈んだ調子でこういったなり下を向いた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「どうするって、仕方がないわ、ねえあなた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.