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One of the best Japanese Kanji dictionary.
暗 means "dark, gloomy, obscure."
Dark - A lack of light, making it difficult to see.
Ignorant - Unwise or foolish.
Darkness - A state of complete absence of light.
Secretly - Done in a quiet or hidden manner.
Learned - Acquired knowledge through study or experience.
It was dark and cold in the room.
Come home before it gets dark.
It was dark when he came in.
ホテルに着いたときは暗くなっていた。
It was dark when i reached the hotel.
She is very afraid of the dark.
I reached the village before dark.
Don't read books in a dark place.
Cats can see in the dark.
He came back after dark.
It's not good to read in a dark room.
若い私はその時|暗に相手も私と同じような感じを持っていはしまいかと疑った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
でなければ、薄暗い書庫にはいって、高い本棚のあちらこちらを見廻した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
眼の前にある樹は大概|楓であったが、その枝に滴るように吹いた軽い緑の若葉が、段々暗くなって行くように思われた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は帰った当日から、あるいはこんな事になるだろうと思って、心のうちで暗にそれを恐れていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の想像は日本一の大きな都が、どんなに暗いなかでどんなに動いているだろうかの画面に集められた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
父は自分の眼の前に薄暗く映る死の影を眺めながら、まだ遺言らしいものを口に出さなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
父の意識には暗い所と明るい所とできて、その明るい所だけが、闇を縫う白い糸のように、ある距離を置いて連続するようにみえた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の過去、かつて先生が私に話そうと約束した薄暗いその過去、そんなものは私に取って、全く無用であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は暗い人世の影を遠慮なくあなたの頭の上に投げかけて上げます。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
暗いものを凝と見詰めて、その中からあなたの参考になるものをお攫みなさい。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ただ一つその夏の出来事として、私の心にむしろ薄暗い影を投げたのは、叔父夫婦が口を揃えて、まだ高等学校へ入ったばかりの私に結婚を勧める事でした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
もっともその頃でも私は決して理に暗い質ではありませんでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それでいて、或る場合には、私に対して暗に警戒するところもあるようなのですから、始めてこんな場合に出会った私は、時々心持をわるくしました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は手もなく、魔の通る前に立って、その瞬間の影に一生を薄暗くされて気が付かずにいたのと同じ事です。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.