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One of the best Japanese Kanji dictionary.
供 means "offering, supply, provider."
Offer - To offer something to a deity or other spiritual being.
Suggest - To suggest offering something.
Declare - To declare something oneself.
Provide - To provide or give something.
Servant - A servant or attendant.
Plural - To indicate multiple items when used after a word.
The child is father of the man.
The dog frightened the children away.
Two and three halves to london , please.
Along with his children he fled the country.
I could swim well when i was a boy.
My children really like animals.
She called her children into the room.
Why do american parents praise their children?
Don't let the children monopolize the television.
The boy fell off the bed.
私と行きたくない口実だか何だか、私にはその時の先生が、いかにも子供らしくて変に思われた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「子供でもあると好いんですがね」と奥さんは私の方を向いていった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
子供を持った事のないその時の私は、子供をただ蒼蠅いもののように考えていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
子供のない奥さんは、そういう世話を焼くのがかえって退屈凌ぎになって、結句身体の薬だぐらいの事をいっていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんは懇意になると、こんなところに極めて淡泊な小供らしい心を見せた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
小供は徽章の着いた黒い帽子を被ったまま先生の前へ廻って礼をした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
少しここで休まして下さいって」小供は怜悧そうな眼に笑いを漲らして、首肯いて見せた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「今|斥候長になってるところなんだよ」小供はこう断って、躑躅の間を下の方へ駈け下りて行った」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しばらくすると同じくらいの年格好の小供が二、三人、これも斥候長の下りて行った方へ駈けていった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の談話は、この犬と小供のために、結末まで進行する事ができなくなったので、私はついにその要領を得ないでしまった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
犬と小供が去ったあと、広い若葉の園は再び故の静かさに帰った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
お上さんは「いいえお構い申しも致しませんで」と礼を返した後、先刻小供にやった白銅の礼を述べた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は彼らから受けた屈辱と損害を小供の時から今日まで背負わされている。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.