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One of the best Japanese Kanji dictionary.
嫌 means "hate, dislike, loathe."
Dislike, Hate - To feel a strong aversion or distaste for something.
Suspect, Doubt - To have a feeling of uncertainty or distrust about something.
Why does he look grumpy?
全て嫌いである。
I like none of them.
I dislike speaking in public.
John has been moody since this morning.
She hates speaking in public.
ご機嫌いかがですか。
How are you?
She felt an aversion to him.
I don't like traveling by air.
I don't like to eat fish with many bones.
She is rather cross now.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それは迷惑とも嫌悪とも畏怖とも片付けられない微かな不安らしいものであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私に呑めとおっしゃった事は滅多にないのにね」「お前は嫌いだからさ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そういう事が嫌いなんですから」「つまり下らない事だと悟っていらっしゃるんでしょうか」「悟るの悟らないのって、――そりゃ女だからわたくしには解りませんけれど、おそらくそんな意味じゃないでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
近頃は段々人の顔を見るのが嫌いになるようです」こういった奥さんの様子に、別段困ったものだという風も見えなかったので、私はつい大胆になった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「それじゃ奥さんだけが例外なんですか」「いいえ私も嫌われている一人なんです」「そりゃ嘘です」と私がいった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「奥さん自身嘘と知りながらそうおっしゃるんでしょう」「なぜ」「私にいわせると、奥さんが好きになったから世間が嫌いになるんですもの」「あなたは学問をする方だけあって、なかなかお上手ね」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
世の中が嫌いになったから、私までも嫌いになったんだともいわれるじゃありませんか。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それだからこうして落ち付いていられるんです」「その信念が先生の心に好く映るはずだと私は思いますが」「それは別問題ですわ」「やっぱり先生から嫌われているとおっしゃるんですか」「私は嫌われてるとは思いません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
嫌われる訳がないんですもの。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だからその人間の一人として、私も好かれるはずがないじゃありませんか」奥さんの嫌われているという意味がやっと私に呑み込めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんは最初世の中を見る先生の眼が厭世的だから、その結果として自分も嫌われているのだと断言した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生は自分を嫌う結果、とうとう世の中まで厭になったのだろうと推測していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「しかし先生が奥さんを嫌っていらっしゃらない事だけは保証します」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「こんど東京へ行くときには椎茸でも持って行ってお上げ」「ええ、しかし先生が干した椎茸なぞを食うかしら」「旨くはないが、別に嫌いな人もないだろう」私には椎茸と先生を結び付けて考えるのが変であった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.