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One of the best Japanese Kanji dictionary.
売 means "sell, trade, deal."
Sell, Selling - To exchange goods or services for money.
Sell Out - To completely sell all of a product or service.
Trade, Bargain - To negotiate the terms of a transaction.
Merchandise - To offer goods or services for sale.
Deceive - To mislead or trick someone.
Betray - To act in a way that is disloyal or unfaithful.
Spread, Promote - To make something known or popular.
それはすべて売り切れた。
They were all sold out.
He made money from that business.
Father put up the house for sale.
The business is in the red.
Foreign books are sold at the shop.
We have very good business.
His house is for sale.
I'm going to sell my house.
この本はここでは売られていません。
This book is not sold here.
He took over the business from his father.
人間全体を信用しないんです」その時|生垣の向うで金魚売りらしい声がした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども横文字の本なんか貰っても仕様がないわね」「古本屋に売るさ」「売ればいくらぐらいになって」先生はいくらともいわなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あなたの郷里でも同じ事だろうと思いますが、田舎では由緒のある家を、相続人があるのに壊したり売ったりするのは大事件です。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
田舎で畠地などを売ろうとしたって容易には売れませんし、いざとなると足元を見て踏み倒される恐れがあるので、私の受け取った金額は、時価に比べるとよほど少ないものでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
一年ばかり前までは、市ヶ谷の士官学校の傍とかに住んでいたのだが、厩などがあって、邸が広過ぎるので、そこを売り払って、ここへ引っ越して来たけれども、無人で淋しくって困るから相当の人があったら世話をしてくれと頼まれていたのだそうです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
下宿屋ならば、一人より二人が便利だし、二人より三人が得になるけれども、商売でないのだから、なるべくなら止した方が好いというのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
旧記によると、仏像や仏具を打砕いて、その丹がついたり、金銀の箔がついたりした木を、路ばたにつみ重ねて、薪の料に売っていたと云う事である。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
現在、わしが今、髪を抜いた女などはな、蛇を四寸ばかりずつに切って干したのを、干魚だと云うて、太刀帯の陣へ売りに往んだわ。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
疫病にかかって死ななんだら、今でも売りに往んでいた事であろ。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
それもよ、この女の売る干魚は、味がよいと云うて、太刀帯どもが、欠かさず菜料に買っていたそうな。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
あなたの郷里でも同じ事だろうと思いますが、田舎では由緒のある家を、相続人があるのに壊したり売ったりするのは大事件です。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
田舎で畠地などを売ろうとしたって容易には売れませんし、いざとなると足元を見て踏み倒される恐れがあるので、私の受け取った金額は、時価に比べるとよほど少ないものでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
一年ばかり前までは、市ヶ谷の士官学校の傍とかに住んでいたのだが、厩などがあって、邸が広過ぎるので、そこを売り払って、ここへ引っ越して来たけれども、無人で淋しくって困るから相当の人があったら世話をしてくれと頼まれていたのだそうです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
下宿屋ならば、一人より二人が便利だし、二人より三人が得になるけれども、商売でないのだから、なるべくなら止した方が好いというのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.