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One of the best Japanese Kanji dictionary.
機 means "machine, opportunity, aircraft."
Machine - A device used to weave fabric.
Mechanism - A mechanism used to fire arrows from a crossbow.
Trap - A trap or mechanism.
Structure - A structure or system.
Sign - A sign or indication.
Trigger - A trigger or cause.
Fold - A fold or crease.
Work - The work of the mind.
Secret - Something unknown or hidden.
How many hours does it take to go to okinawa by plane?
Why does he look grumpy?
The water cooler is out of order.
The plane will take off in one hour.
Turn this to the right , and the machine will start.
Can you explain how this machine works?
The plane took off at exactly ten o'clock.
You should take advantage of this opportunity.
This machine does not run well.
He used every chance to practice english.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども物をいい掛ける機会も、挨拶をする場合も、二人の間には起らなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
これは奥さんに特色がないというよりも、特色を示す機会が来なかったのだと解釈する方が正当かも知れない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はそのうち先生の留守に行って、奥さんと二人|差向いで話をする機会に出合った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そこを通り抜けて、花も人も見えない森の中へ来るまでは、同じ問題を口にする機会がなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうこうしているうちに、私はまた奥さんと差し向いで話をしなければならない時機が来た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その父が、母の書信によると、庭へ出て何かしている機に突然|眩暈がして引ッ繰り返った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あたかも時機の過ぎた今、もう熱心に説明する張合いがないといった風に。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
適当の時機が来なくっちゃ話さないんだから」私は下宿へ帰ってからも一種の圧迫を感じた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はついに先生の忠告通り財産分配の事を父にいい出す機会を得ずに過ぎた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は父に叱られたり、母の機嫌を損じたりするよりも、先生から見下げられるのを遥かに恐れていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その日はちょうど主治医が町から院長を連れて来るはずになっていたので、母と私はそれぎりこの事件について話をする機会がなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
したがって、それを利用できる時に利用しなければ、私の過去をあなたの頭に間接の経験として教えて上げる機会を永久に逸するようになります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.