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One of the best Japanese Kanji dictionary.
縁 means "edge, border, brink, bond, connection."
Edge, Border Of Clothing - The edge or border of a piece of clothing.
Surroundings - The area or environment around something.
Depend, Rely - To depend or rely on something.
Climb - To climb up something.
Connection - A connection between two or more things.
Coincidence - A chance occurrence of two or more events at the same time.
Porch - A covered area at the entrance of a house.
Don't say such a thing.
It's bad luck to say that.
She broke with her family long ago.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
書斎は茶の間の縁側を突き当って折れ曲った角にあるので、棟の位置からいうと、座敷よりもかえって掛け離れた静かさを領していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
この芍薬|畠の傍にある古びた縁台のようなものの上に先生は大の字なりに寝た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
財産家ならもっと大きな家でも造るさ」この時先生は起き上って、縁台の上に胡坐をかいていたが、こういい終ると、竹の杖の先で地面の上へ円のようなものを描き始めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
縁台の横から後部へ掛けて植え付けてある杉苗の傍に、熊笹が三坪ほど地を隠すように茂って生えていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はそれを村の男が植木か何かを載せて縁日へでも出掛けるものと想像した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大分日が永くなったようだが、やっぱりこう安閑としているうちには、いつの間にか暮れて行くんだね」先生の背中には、さっき縁台の上に仰向きに寝た痕がいっぱい着いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
はいる時には誰もいる気色の見えなかった縁に、お上さんが、十五、六の娘を相手に、糸巻へ糸を巻きつけていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生は半分縁側の方へ席をずらして、敷居際で背中を障子に靠たせていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
縁喜でもない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の疑問にしたその留守番の女の人は、先生とは縁のない奥さんの方の親戚であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は笑いを帯びた先生の顔と、縁喜でもないと耳を塞いだ奥さんの様子とを憶い出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その関係からでもありましょう、政党にも縁故があったように記憶しています。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それからそういう特別の境遇に置かれた人の方でも、四辺に気兼をして、なるべくは書生に縁の遠いそんな内輪の話はしないように慎んでいたのでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
床の横に違い棚があって、縁と反対の側には一間の押入れが付いていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
窓は一つもなかったのですが、その代り南向きの縁に明るい日がよく差しました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.