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One of the best Japanese Kanji dictionary.
死 means "death."
To die - To lose life
To cease activity - To become useless.
To risk one's life - To be prepared to die.
We regret his death.
My mother is dead too.
Before he died , he was almost blind.
She had her only son die.
His death was broadcast all over the world.
I ran for my life.
None can get away from death.
I may die tomorrow.
Ten years have passed since he died.
No one can avert death.
私が丸い墓石だの細長い御影の碑だのを指して、しきりにかれこれいいたがるのを、始めのうちは黙って聞いていたが、しまいに「あなたは死という事実をまだ真面目に考えた事がありませんね」といった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
急に死んだんです」奥さんは私の耳に私語くような小さな声で、「実は変死したんです」といった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は病気になるくらいなら、死病に罹りたいと思ってる」私は先生のいう事に格別注意を払わなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その一通は今いうこの簡単な返書で、あとの一通は先生の死ぬ前とくに私|宛で書いた大変長いものである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
両方とも世間から見れば、生きているか死んでいるか分らないほど大人しい男であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の知ったある士官は、とうとうそれでやられたが、全く嘘のような死に方をしたんですよ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
夜中にちょっと苦しいといって、細君を起したぎり、翌る朝はもう死んでいたんです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
いつどんな事でどんな死にようをしないとも限らないから」「先生もそんな事を考えてお出ですか」「いくら丈夫の私でも、満更考えない事もありません」先生の口元には微笑の影が見えた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「よくころりと死ぬ人があるじゃありませんか」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生のいった自然に死ぬとか、不自然の暴力で死ぬとかいう言葉も、その場限りの浅い印象を与えただけで、後は何らのこだわりを私の頭に残さなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
どんなに達者なものでも、いつ死ぬか分らないものだからね」先生の口気は珍しく苦々しかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の父の前には善人であったらしい彼らは、父の死ぬや否や許しがたい不徳義漢に変ったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.