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One of the best Japanese Kanji dictionary.
呼 means "call, summon."
To call out - To make a loud sound or shout out.
To address - To call out to someone or something.
To summon - To call out to someone or something to come.
To shout - To make a loud sound or shout out.
To scream - To make a loud, high-pitched sound.
To name - To give a name to someone or something.
To breathe - To exhale air from the lungs.
To sigh - To make a sound expressing weariness or sorrow.
呼び出していただけますか。
Can you page someone for me?
She went on working till he called her.
She invited us to her birthday party.
Call an ambulance.
Please call in a doctor.
What's currently hot?
We had better call the doctor.
The doctor called him back.
They call him jim.
Everything that has meaning can be called language.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はその人の記憶を呼び起すごとに、すぐ「先生」といいたくなる。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ところが私が鎌倉に着いて三日と経たないうちに、私を呼び寄せた友達は、急に国元から帰れという電報を受け取った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私が始めてその曇りを先生の眉間に認めたのは、雑司ヶ谷の墓地で、不意に先生を呼び掛けた時であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は忽ち雑司ヶ谷で「先生」と呼び掛けた時の記憶を強く思い起した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
家庭の一員として暮した事のない私のことだから、深い消息は無論|解らなかったけれども、座敷で私と対坐している時、先生は何かのついでに、下女を呼ばないで、奥さんを呼ぶ事があった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生はこの日あたりの好い室の中へ大きな火鉢を置いて、五徳の上に懸けた金盥から立ち上る湯気で、呼吸の苦しくなるのを防いでいた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そのくらいなら今手元にあるはずだから持って行きたまえ」先生は奥さんを呼んで、必要の金額を私の前に並べさせてくれた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
これも急場の間に合うように、おいそれと呼び寄せられる女ではなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生はその音を聞くと、急に瞑想から呼息を吹き返した人のように立ち上がった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
暑いんで食われないんです」奥さんは下女を呼んで食卓を片付けさせた後へ、改めてアイスクリームと水菓子を運ばせた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「呼ばなくっても好いが、呼ばないとまた何とかいうから」これは父の言葉であった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
父はその夜また気を更えて、客を呼ぶなら何日にするかと私の都合を聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.