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One of the best Japanese Kanji dictionary.
辺 means "edge, side, vicinity."
Edge - The outermost part of something, or the line that marks the outermost part.
Periphery - The area that is away from the center or main part.
Side - Nearby or adjacent to something.
Polygon - The line that marks the outermost part of a polygon in mathematics.
Is there a bank near here?
The river is deep here.
辺りには誰もいなかった。
There was no one about.
Let's wind up our work.
Let's walk on the beach after dinner.
Let's call it a day today.
まずその辺です。
That's about it.
I don't know about things like that.
His house was out of the way.
I'm a stranger here myself.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
古い燻ぶり返った藁葺の間を通り抜けて磯へ下りると、この辺にこれほどの都会人種が住んでいるかと思うほど、避暑に来た男や女で砂の上が動いていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
長谷辺に大きな別荘を構えている人と違って、各自に専有の着換場を拵えていないここいらの避暑客には、ぜひともこうした共同着換所といった風なものが必要なのであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それほど浜辺が混雑し、それほど私の頭が放漫であったにもかかわらず、私がすぐ先生を見付け出したのは、先生が一人の西洋人を伴れていたからである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は単に好奇心のために、並んで浜辺を下りて行く二人の後姿を見守っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
枕辺を取り巻いている人は無言のまましばらく病人の様子を見詰めていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それからそういう特別の境遇に置かれた人の方でも、四辺に気兼をして、なるべくは書生に縁の遠いそんな内輪の話はしないように慎んでいたのでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
いまだに好い町になり切れないで、がたぴししているあの辺の家並は、その時分の事ですからずいぶん汚ならしいものでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
本郷辺に高等下宿といった風の家がぽつぽつ建てられた時分の事ですから、私は書生として占領し得る最も好い間の様子を心得ていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
この辺の地理を一向心得ない私は、奥さんの知識に驚いたくらいです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は彼の生前に雑司ヶ谷近辺をよくいっしょに散歩した事があります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
渡辺華山は邯鄲という画を描くために、死期を一週間繰り延べたという話をつい先達て聞きました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それからそういう特別の境遇に置かれた人の方でも、四辺に気兼をして、なるべくは書生に縁の遠いそんな内輪の話はしないように慎んでいたのでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
いまだに好い町になり切れないで、がたぴししているあの辺の家並は、その時分の事ですからずいぶん汚ならしいものでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
本郷辺に高等下宿といった風の家がぽつぽつ建てられた時分の事ですから、私は書生として占領し得る最も好い間の様子を心得ていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
この辺の地理を一向心得ない私は、奥さんの知識に驚いたくらいです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は彼の生前に雑司ヶ谷近辺をよくいっしょに散歩した事があります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.