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One of the best Japanese Kanji dictionary.
取 means "take, get, fetch."
Take, Obtain - To take something into one's possession. To acquire something.
Choose - To select something. To adopt something.
Seize - To take something away by force. To attack something.
Marry - To take someone as a wife.
We won't take up the problem.
Please pass me the sugar.
She went in to get it.
They cleared the road of snow.
I cannot get in touch with him.
Let's get down to work.
It will do you good to have a holiday.
We have an account with the bank.
この席を取っておいてくれませんか。
Will you keep this seat for me?
Let's keep in touch with each other.
暑中休暇を利用して海水浴に行った友達からぜひ来いという端書を受け取ったので、私は多少の金を工面して、出掛ける事にした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ところが私が鎌倉に着いて三日と経たないうちに、私を呼び寄せた友達は、急に国元から帰れという電報を受け取った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その日本人は砂の上に落ちた手拭を拾い上げているところであったが、それを取り上げるや否や、すぐ頭を包んで、海の方へ歩き出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
この前名刺を取り次いだ記憶のある下女は、私を待たしておいてまた内へはいった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は淋しくっても年を取っているから、動かずにいられるが、若いあなたはそうは行かないのでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だから中間に立つ先生を取り除ければ、つまり二人はばらばらになっていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんは「私は……」と辞退しかけた後、迷惑そうにそれを受け取った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生はまた「私のようなものが世の中へ出て、口を利いては済まない」と答えるぎりで、取り合わなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんの父親はたしか鳥取かどこかの出であるのに、お母さんの方はまだ江戸といった時分の市ヶ谷で生れた女なので、奥さんは冗談半分そういったのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
大したものを持って行かれた家はほとんどなかったけれども、はいられた所では必ず何か取られた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども奥さんから徒らに議論を仕掛ける男のように取られては困ると思って遠慮した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は今まで何遍あの人に、どうぞ打ち明けて下さいって頼んで見たか分りゃしません」「先生は何とおっしゃるんですか」「何にもいう事はない、何にも心配する事はない、おれはこういう性質になったんだからというだけで、取り合ってくれないんです」私は黙っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
もしそれが詐りでなかったならば、(実際それは詐りとは思えなかったが)、今までの奥さんの訴えは感傷を玩ぶためにとくに私を相手に拵えた、徒らな女性の遊戯と取れない事もなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の母から受け取った手紙の中に、父の病気の経過が面白くない様子を書いて、今が今という心配もあるまいが、年が年だから、できるなら都合して帰って来てくれと頼むように付け足してあった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.