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One of the best Japanese Kanji dictionary.
嬉 means "joy, happiness."
Enjoyment - To experience pleasure or delight in something.
Recreation - To engage in activities for amusement or pleasure.
Joy - A feeling of great happiness or delight.
Delight - A feeling of great pleasure or satisfaction.
またお会いできて嬉しい。
Nice to see you.
I'm very glad to see you.
We were only too glad to see him.
会えて嬉しかったよ。
Nice seeing you !
お目にかかれて嬉しかったです。
Good to see you.
She looks happy.
She looks very happy.
そう、私きてくれて嬉しかったわ。
O.k. i'm glad you could come.
She looks very happy.
We couldn't be happier for you.
しかしその私だけにはこの直感が後になって事実の上に証拠立てられたのだから、私は若々しいといわれても、馬鹿げていると笑われても、それを見越した自分の直覚をとにかく頼もしくまた嬉しく思っている。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生は嬉しそうな私の顔を見て、「もう論文は片付いたんですか、結構ですね」といった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
無論私自身の心がこの言葉に反響するように、飛び立つ嬉しさをもっていなかったのが、一つの源因であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども先生のいい方も決して私の嬉しさを唆る浮々した調子を帯びていなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私には口で祝ってくれながら、腹の底でけなしている先生の方が、それほどにもないものを珍しそうに嬉しがる父よりも、かえって高尚に見えた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だから嬉しいのさ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
せっかく丹精した息子が、自分のいなくなった後で卒業してくれるよりも、丈夫なうちに学校を出てくれる方が親の身になれば嬉しいだろうじゃないか。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
生きてるうちに卒業はできまいと思ったのが、達者なうちに免状を持って来たから、それが嬉しいんだって、お父さんは自分でそういっていましたぜ」「そりゃ、お前、口でこそそうおいいだけれどもね。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はまた父や母のいた時より、かえって賑やかで陽気になった家の様子を見て嬉しがりました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そのお嬢さんの下手な活花を、どうして嬉しがって眺める余裕があるか。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は嬉しかったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はかえって世話のし甲斐があったのを嬉しく思うくらいなものです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
場合によってはかえって不快の念さえ起しかねなかったろうと思うのですが、お嬢さんの所作はその点で甚だ要領を得ていたから、私は嬉しかったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
世の中では否応なしに自分の好いた女を嫁に貰って嬉しがっている人もありますが、それは私たちよりよっぽど世間ずれのした男か、さもなければ愛の心理がよく呑み込めない鈍物のする事と、当時の私は考えていたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
もし私が亡友に対すると同じような善良な心で、妻の前に懺悔の言葉を並べたなら、妻は嬉し涙をこぼしても私の罪を許してくれたに違いないのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.