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One of the best Japanese Kanji dictionary.
懐 means "nostalgia, pocket, bosom."
To cherish in one's heart (something or someone) - To hold something or someone close to one's heart and care for them deeply.
Thoughts or feelings held in one's heart - Refers to the thoughts and feelings held in one's heart.
Chest area - Refers to the area around the chest.
To become attached (to something or someone) - To become attached to something or someone and treat them with love and care.
Nostalgic - To feel a longing for something or someone.
I miss the high school days we spent together.
懐が暖かい。
I have plenty of money with me.
We're on our way home.
I like to talk about the good old days.
This song reminds me of the good old days.
他の懐かしみに応じない先生は、他を軽蔑する前に、まず自分を軽蔑していたものとみえる。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
人間を愛し得る人、愛せずにはいられない人、それでいて自分の懐に入ろうとするものを、手をひろげて抱き締める事のできない人、――これが先生であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれどもそれは懐かしい春の雲を眺めるような心持で、ただ漠然と夢みていたに過ぎなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
書斎の硝子戸から冬に入って稀に見るような懐かしい和らかな日光が机掛けの上に射していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
妹はこの前|懐妊した時に流産したので、今度こそは癖にならないように大事を取らせるつもりだと、かねていい越したその夫は、妹の代りに自分で出て来るかも知れなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
手の放せない私は、すぐ封を切る訳に行かないので、ちょっとそれを懐に差し込んだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私には先刻懐へ入れた郵便物の中を開けて見ようという目的があった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
子供らしい私は、故郷を離れても、まだ心の眼で、懐かしげに故郷の家を望んでいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
自白すると、私の財産は自分が懐にして家を出た若干の公債と、後からこの友人に送ってもらった金だけなのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
金に不自由がなければこそ、一戸を構えてみる気にもなったのだといえばそれまでですが、元の通りの私ならば、たとい懐中に余裕ができても、好んでそんな面倒な真似はしなかったでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その上こういう遊技をやり付けないKは、まるで懐手をしている人と同様でした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
葬式の帰りに同じ問いを掛けて、同じ答えを得たKの友人は、懐から一枚の新聞を出して私に見せました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はそれまでにも何かしたくって堪らなかったのだけれども、何もする事ができないのでやむをえず懐手をしていたに違いありません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.