Share this link via
Or copy link
One of the best Japanese Kanji dictionary.
屋 means "house, shop, building."
House, Home - A dwelling place for people.
Roof - A roof that covers a house.
Covering - Something that covers an object like a roof.
Occupation, Business - A word used to describe a profession or store.
He set things in order in his room.
It was dark and cold in the room.
He is nothing more than a politician.
The curtains make this room beautiful.
He walked up and down the room.
May i see the room , please?
I have a telephone in my room.
I use the room in common with my sister.
My mother cleans the room.
この部屋クーラーききすぎじゃないの。
Don't you think the air conditioner is turned up too high in here?
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
海水着を持たない私にも持物を盗まれる恐れはあったので、私は海へはいるたびにその茶屋へ一切を脱ぎ棄てる事にしていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私がその掛茶屋で先生を見た時は、先生がちょうど着物を脱いでこれから海へ入ろうとするところであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その西洋人の優れて白い皮膚の色が、掛茶屋へ入るや否や、すぐ私の注意を惹いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
掛茶屋へ帰ると、井戸の水も浴びずに、すぐ身体を拭いて着物を着て、さっさとどこへか行ってしまった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それで翌日もまた先生に会った時刻を見計らって、わざわざ掛茶屋まで出かけてみた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私が陸へ上がって雫の垂れる手を振りながら掛茶屋に入ると、先生はもうちゃんと着物を着て入れ違いに外へ出て行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生と掛茶屋で出会った時、先生は突然私に向かって、「君はまだ大分長くここにいるつもりですか」と聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それでないと決して油断はならない」私は先生といっしょに、郊外の植木屋の広い庭の奥で話した、あの躑躅の咲いている五月の初めを思い出した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども横文字の本なんか貰っても仕様がないわね」「古本屋に売るさ」「売ればいくらぐらいになって」先生はいくらともいわなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
家は田舎にありましたけれども、二|里ばかり隔たった市、――その市には叔父が住んでいたのです、――その市から時々道具屋が懸物だの、香炉だのを持って、わざわざ父に見せに来ました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
叔父はもと私の部屋になっていた一間を占領している一番目の男の子を追い出して、私をそこへ入れました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.