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One of the best Japanese Kanji dictionary.
久 means "long time, old, long-cherished."
Long-lasting - Lasting for a long time.
Ancient - From long ago.
To take a long time - To take a long time to do something.
To remain unchanged - To remain the same for a long time.
I regret to say he's gone for good.
Have you given up smoking for good and all?
We all wish for permanent world peace.
I have not seen him for a long time.
I visited the town for the first time in a long time.
Has bob left the company for good this time?
久しく会っていませんね。
I haven't seen you for a long time.
I haven't seen him for a long time.
It's such a long time since he left school.
He will leave here for good.
「なに今に治ったら赤ん坊の顔でも見に、久しぶりにこっちから出掛けるから差支えない」ともいっていた」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それでも久しぶりにこう落ち合ってみると、兄弟の優しい心持がどこからか自然に湧いて出た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
したがって、それを利用できる時に利用しなければ、私の過去をあなたの頭に間接の経験として教えて上げる機会を永久に逸するようになります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしその自由はまた永久に失われなければならない」私は心のうちでこう繰り返しながら、その意味を知るに苦しんだ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あなたに会って静かに話す機会を永久に失った私は、筆を執る術に慣れないばかりでなく、貴い時間を惜むという意味からして、書きたい事も省かなければなりません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
三度目の夏はちょうど私が永久に父母の墳墓の地を去ろうと決心した年です。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は彼に、もし我ら二人だけが男同志で永久に話を交換しているならば、二人はただ直線的に先へ延びて行くに過ぎないだろうといいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
玄関から真直に行けば、茶の間、お嬢さんの部屋と二つ続いていて、それを左へ折れると、Kの室、私の室、という間取なのですから、どこで誰の声がしたくらいは、久しく厄介になっている私にはよく分るのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
久しぶりで旅から帰った私たちが平生の通り落ち付くまでには、万事について女の手が必要だったのですが、その世話をしてくれる奥さんはとにかく、お嬢さんがすべて私の方を先にして、Kを後廻しにするように見えたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ぐるぐる廻りながら、その夜明を待ち焦れた私は、永久に暗い夜が続くのではなかろうかという思いに悩まされました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
後で考えると、それが乃木大将の永久に去った報知にもなっていたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかも、肩とか胸とかの高くなっている部分に、ぼんやりした火の光をうけて、低くなっている部分の影を一層暗くしながら、永久に唖の如く黙っていた。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
あなたに会って静かに話す機会を永久に失った私は、筆を執る術に慣れないばかりでなく、貴い時間を惜むという意味からして、書きたい事も省かなければなりません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.