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One of the best Japanese Kanji dictionary.
黒 means "black, dark, sinister."
Black - A color that is dark and has no hue.
Foolish - Not wise or sensible.
Bad - Not good or correct.
Under the table was a black cat.
He has a black heart.
Let's make clear which is right and which is wrong.
Nearly all japanese have dark hair.
Look at the blackboard.
The japanese have dark eyes.
Look at the blackboard , everyone.
I'll write it on the blackboard.
That boy has black hair.
黒くないのですか。
Isn't it black?
ある時は海の中が銭湯のように黒い頭でごちゃごちゃしている事もあった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の所では満足が得られない代りに危険もないが、――君、黒い長い髪で縛られた時の心持を知っていますか」私は想像で知っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今しがた奥さんの美しい眼のうちに溜った涙の光と、それから黒い眉毛の根に寄せられた八の字を記憶していた私は、その変化を異常なものとして注意深く眺めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それまで繻絆というものを着た事のない私が、シャツの上に黒い襟のかかったものを重ねるようになったのはこの時からであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
枳殻の垣が黒ずんだ枝の上に、萌るような芽を吹いていたり、柘榴の枯れた幹から、つやつやしい茶褐色の葉が、柔らかそうに日光を映していたりするのが、道々私の眼を引き付けた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
小供は徽章の着いた黒い帽子を被ったまま先生の前へ廻って礼をした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は二、三歩動き出しながら、黒ずんだ葉に被われているその梢を見て、来たるべき秋の花と香を想い浮べた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は黒い煤けた棚の上に載っているその帽子を眺めるたびに、父に対して気の毒な思いをした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はひとり門の外へ出て、黒いひらひらと、白いめりんすの地と、地のなかに染め出した赤い日の丸の色とを眺めた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はその黒いなりに動かなければ仕末のつかなくなった都会の、不安でざわざわしているなかに、一点の燈火のごとくに先生の家を見た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
枕の傍にある老眼鏡は、いつまでも黒い鞘に納められたままであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私にいわせると、彼の心臓の周囲は黒い漆で重く塗り固められたのも同然でした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
二人はただ色が黒くなったばかりでなく、むやみに歩いていたうちに大変|瘠せてしまったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ことに霜に打たれて蒼味を失った杉の木立の茶褐色が、薄黒い空の中に、梢を並べて聳えているのを振り返って見た時は、寒さが背中へ噛り付いたような心持がしました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
見ると、間の襖が二|尺ばかり開いて、そこにKの黒い影が立っています。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.