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One of the best Japanese Kanji dictionary.
想 means "thought, idea, concept."
Think - To think or ponder in one's mind.
Consider - To contemplate or reflect upon.
Contemplate - To think deeply or carefully about something.
It went just as we expected.
What do you imagine when you see that picture?
Say pretty things about a person's children.
He lives in a world of fantasy.
Imagine yourself to be on the moon.
No one can imagine what has become of him.
I couple this song with his name.
Can you imagine the world without money?
Her eyes remind me of a cat.
They like to look back on old times.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生と話していた私は、ふと先生がわざわざ注意してくれた銀杏の大樹を眼の前に想い浮かべた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「妻が考えているような人間なら、私だってこんなに苦しんでいやしない」先生がどんなに苦しんでいるか、これも私には想像の及ばない問題であった」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だから先生の学問や思想については、先生と密切の関係をもっている私より外に敬意を払うもののあるべきはずがなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生と知り合いになってから先生の亡くなるまでに、私はずいぶん色々の問題で先生の思想や情操に触れてみたが、結婚当時の状況については、ほとんど何ものも聞き得なかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
年輩の先生の事だから、艶めかしい回想などを若いものに聞かせるのはわざと慎んでいるのだろうと思った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども私はただ恋の半面だけを想像に描き得たに過ぎなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の所では満足が得られない代りに危険もないが、――君、黒い長い髪で縛られた時の心持を知っていますか」私は想像で知っていた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかしこれから先のあなたに起るべき変化を予想して見ると、なお苦しくなります」「私はそれほど軽薄に思われているんですか。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それを想像する余裕を与えないほど早く先生はまた座敷へ帰って来た。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれどもその思想家の纏め上げた主義の裏には、強い事実が織り込まれているらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
普通|男女の間に横たわる思想の不平均という考えもほとんど起らなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
出した後で父や母と先生の噂などをしながら、遥かに先生の書斎を想像した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうして練り上げた思想を系統的に纏める手数を省くために、ただ書物の中にある材料を並べて、それに相当な結論をちょっと付け加える事にした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「あなたのお父さんが亡くなられるのを、今から予想してかかるような言葉遣いをするのが気に触ったら許してくれたまえ」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私はそれを村の男が植木か何かを載せて縁日へでも出掛けるものと想像した。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.