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One of the best Japanese Kanji dictionary.
裏 means "back, reverse, inside, hidden, secret."
Inside - The inner side or interior of something.
Backside - The back or rear side of something.
Interior - The inner part or inside of something.
Within - Inside or within something.
The boy entered by the back door.
He bought his way into college.
He is the last person to betray his friends.
He got paid under the table.
The man had something under his coat.
The children were playing in the backyard.
She's been cheating on her husband for years.
John isn't the kind of man who would betray you.
There must be something at the back of the matter.
He would be the last person to betray others.
私の尻をおろした所は少し小高い丘の上で、そのすぐ傍がホテルの裏口になっていたので、私の凝としている間に、大分多くの男が塩を浴びに出て来たが、いずれも胴と腕と股は出していなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それだから尊いのかも知れないが、もし間違えて裏へ出たとしたら、どんな結果が二人の仲に落ちて来たろう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうしてどちらの推測の裏にも、二人の結婚の奥に横たわる花やかなロマンスの存在を仮定していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は悪い事をした」先生と私とは博物館の裏から鶯渓の方角に静かな歩調で歩いて行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれどもその思想家の纏め上げた主義の裏には、強い事実が織り込まれているらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その日二人の間に起った郊外の談話も、この不得要領の一例として私の胸の裏に残った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
古い麦藁帽の後ろへ、日除のために括り付けた薄汚ないハンケチをひらひらさせながら、井戸のある裏手の方へ廻って行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「そんな所へ行かないでも、まだ好い口があるだろう」こういってくれる裏に、私は二人が私に対してもっている過分な希望を読んだ」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そうだといえば、父の病気の重いのを裏書きするようなものであった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
裏を返して見るとそこに先生の名がつつしんだ字で書いてあった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ところがその帽子の裏には当人の名前がちゃんと、菱形の白いきれの上に書いてあったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
こういう気楽な人の中にも、裏面にはいり込んだら、あるいは家庭の事情に余儀なくされて、すでに妻を迎えていたものがあったかも知れませんが、子供らしい私はそこに気が付きませんでした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
こんな話をすると、自然その裏に若い女の影があなたの頭を掠めて通るでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は自分の品格を重んじなければならないという教育から来た自尊心と、現にその自尊心を裏切している物欲しそうな顔付とを同時に彼らの前に示すのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
二人は伝通院の裏手から植物園の通りをぐるりと廻ってまた富坂の下へ出ました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.