Share this link via
Or copy link
One of the best Japanese Kanji dictionary.
聞 means "hear, listen, ask."
To Hear - To perceive sound through the ears.
To Accept - To smell with the nose.
To Tell - To express or state.
To Be Heard - To be known or spread.
Honor - Fame or reputation.
When he heard the voice , he looked out of the window.
Listen to me , will you?
He took a look at the newspaper before going to bed.
I heard him go down the stairs.
He stopped reading the newspaper.
I read newspapers in order to keep up with the times.
何でも聞いて!
Ask me anything !
His face turned pale on hearing the news.
This song reminds me of young days.
They were not listening to music.
先生と掛茶屋で出会った時、先生は突然私に向かって、「君はまだ大分長くここにいるつもりですか」と聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は先生と別れる時に、「これから折々お宅へ伺っても宜ござんすか」と聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
鎌倉にいた時、私は先生自身の口から、いつでも大抵宅にいるという事を聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私は安得烈と彫り付けた小さい墓の前で、「これは何と読むんでしょう」と先生に聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私が丸い墓石だの細長い御影の碑だのを指して、しきりにかれこれいいたがるのを、始めのうちは黙って聞いていたが、しまいに「あなたは死という事実をまだ真面目に考えた事がありませんね」といった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私の足が段々|繁くなった時のある日、先生は突然私に向かって聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
だからなぜそうたびたび来るのかといって聞いたのです」「そりゃまたなぜです」私がこう聞き返した時、先生は何とも答えなかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「なぜです」と私が代りに聞いた時先生は「天罰だからさ」といって高く笑った」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
よく聞くと、それが尋常の談話でなくって、どうも言逆いらしかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そういう意味からいって、私たちは最も幸福に生れた人間の一対であるべきはずです」私は今前後の行き掛りを忘れてしまったから、先生が何のためにこんな自白を私にして聞かせたのか、判然いう事ができない。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私にはその答えが謙遜過ぎてかえって世間を冷評するようにも聞こえた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それが全く変ってしまったんです」「若い時っていつ頃ですか」と私が聞いた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.