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One of the best Japanese Kanji dictionary.
戸 means "door, household, family, counter for houses."
Door, Entrance - The entrance or exit of a house or room.
House - A house or dwelling.
Amount of Alcohol - The amount of alcohol that can be consumed.
Name - Used as a name or place name.
We spent the day in the open air.
Remember to lock the door.
This book goes on the top shelf.
I felt my way to the door.
He went as far as kobe by train.
There was no water in the well.
I went to kobe by train.
How long have you been living in kobe , then?
Who is the girl at the door?
How long has ken lived in kobe?
掛茶屋へ帰ると、井戸の水も浴びずに、すぐ身体を拭いて着物を着て、さっさとどこへか行ってしまった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
奥さんの父親はたしか鳥取かどこかの出であるのに、お母さんの方はまだ江戸といった時分の市ヶ谷で生れた女なので、奥さんは冗談半分そういったのである。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
書斎の硝子戸から冬に入って稀に見るような懐かしい和らかな日光が机掛けの上に射していた。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
父は病気の性質として、運動を慎まなければならないので、床を上げてからも、ほとんど戸外へは出なかった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
古い麦藁帽の後ろへ、日除のために括り付けた薄汚ないハンケチをひらひらさせながら、井戸のある裏手の方へ廻って行った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
母は父が庭へ出たり背戸へ下りたりする元気を見ている間だけは平気でいるくせに、こんな事が起るとまた必要以上に心配したり気を揉んだりした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
雨戸の外にはいつの間にか憐れな虫の声が、露の秋をまた忍びやかに思い出させるような調子で微かに鳴いています。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「金に不自由のない私は、騒々しい下宿を出て、新しく一戸を構えてみようかという気になったのです」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
金に不自由がなければこそ、一戸を構えてみる気にもなったのだといえばそれまでですが、元の通りの私ならば、たとい懐中に余裕ができても、好んでそんな面倒な真似はしなかったでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その戸棚の一|尺ばかり開いている隙間から、お嬢さんは何か引き出して膝の上へ置いて眺めているらしかったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
そこはそのままにしておいて、雨戸を開けてくれと私にいいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
雨戸の外にはいつの間にか憐れな虫の声が、露の秋をまた忍びやかに思い出させるような調子で微かに鳴いています。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「金に不自由のない私は、騒々しい下宿を出て、新しく一戸を構えてみようかという気になったのです」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
金に不自由がなければこそ、一戸を構えてみる気にもなったのだといえばそれまでですが、元の通りの私ならば、たとい懐中に余裕ができても、好んでそんな面倒な真似はしなかったでしょう。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
その戸棚の一|尺ばかり開いている隙間から、お嬢さんは何か引き出して膝の上へ置いて眺めているらしかったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.