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One of the best Japanese Kanji dictionary.
夕 means "evening, dusk."
Evening, Night - The time of day when the sun sets and night begins.
Dusk - The time of day when the sun is setting and the sky is darkening.
End Of Year, Month - The last day of a year or month.
He was in the habit of taking a walk after supper.
His train arrives at five this evening.
Why don't you dine out with me for a change?
After dinner , i did my homework.
I invited jane to dinner.
We started it again right after dinner.
Her mother was busy cooking the dinner.
It came on to rain toward evening.
It will be ready by six this evening.
Are you ready for dinner?
私がいよいよ立とうという間際になって、(たしか二日前の夕方の事であったと思うが、)父はまた突然|引っ繰り返った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私が夕飯に呼び出されたのは、それから三十分ばかり経った後の事でしたが、まだ奥さんとお嬢さんの晴着が脱ぎ棄てられたまま、次の室を乱雑に彩っていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
我々は夕暮の本郷台を急ぎ足でどしどし通り抜けて、また向うの岡へ上るべく小石川の谷へ下りたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし翌朝になって、昨夕の事を考えてみると、何だか不思議でした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今朝から昨夕の事が気に掛っている私は、途中でまたKを追窮しました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ところがいよいよ夫として朝夕|妻と顔を合せてみると、私の果敢ない希望は手厳しい現実のために脆くも破壊されてしまいました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
ことに門の上の空が、夕焼けであかくなる時には、それが胡麻をまいたようにはっきり見えた。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
夕闇は次第に空を低くして、見上げると、門の屋根が、斜につき出した甍の先に、重たくうす暗い雲を支えている。
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
from "Rashomon", by Ryūnosuke Akutagawa, original text:Chikuma Bunko, Chikuma Shobo
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
私が夕飯に呼び出されたのは、それから三十分ばかり経った後の事でしたが、まだ奥さんとお嬢さんの晴着が脱ぎ棄てられたまま、次の室を乱雑に彩っていました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
我々は夕暮の本郷台を急ぎ足でどしどし通り抜けて、また向うの岡へ上るべく小石川の谷へ下りたのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし翌朝になって、昨夕の事を考えてみると、何だか不思議でした。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
今朝から昨夕の事が気に掛っている私は、途中でまたKを追窮しました。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.