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One of the best Japanese Kanji dictionary.
去 means "go, leave, depart."
To Leave - To depart from a place.
To Go - To travel to another place.
To Pass - To have time pass by.
To Remove - To take away or discard.
To Conceal - To put away or hide.
He was taken away by a policeman.
It is colder this year than last year.
He stopped smoking last year.
I lived in new york last year.
I climbed the mountain last summer.
We had more snow this year than last.
I heard about it from another source last year.
He said ,'' so long , my friends ,'' and left us.
I did not live in sanda last year.
Nobody knows why he left the town.
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
犬と小供が去ったあと、広い若葉の園は再び故の静かさに帰った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「頭が鈍くて要領を得ないのは構いませんが、ちゃんと解ってるくせに、はっきりいってくれないのは困ります」「私は何にも隠してやしません」「隠していらっしゃいます」「あなたは私の思想とか意見とかいうものと、私の過去とを、ごちゃごちゃに考えているんじゃありませんか」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
けれども私の過去を悉くあなたの前に物語らなくてはならないとなると、それはまた別問題になります」「別問題とは思われません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
真面目に人生から教訓を受けたいのです」「私の過去を訐いてもですか」訐くという言葉が、突然恐ろしい響きをもって、私の耳を打った。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
しかし私の過去はあなたに取ってそれほど有益でないかも知れませんよ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
去年の冬お前に会った時、ことによるともう三月か四月ぐらいなものだろうと思っていたのさ。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
この家から父一人を引き去った後は、そのままで立ち行くだろうか。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「もう大丈夫」父は去年の暮倒れた時に私に向かっていったと同じ言葉をまた繰り返した」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
「あなたから過去を問いただされた時、答える事のできなかった勇気のない私は、今あなたの前に、それを明白に物語る自由を得たと信じます」
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
したがって、それを利用できる時に利用しなければ、私の過去をあなたの頭に間接の経験として教えて上げる機会を永久に逸するようになります。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
先生の過去、かつて先生が私に話そうと約束した薄暗いその過去、そんなものは私に取って、全く無用であった。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
それからあなたの希望通り私の過去をあなたのために物語りたかったのです。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
あるいは私の脳髄よりも、私の過去が私を圧迫する結果こんな矛盾な人間に私を変化させるのかも知れません。
from "Kokoro", by Natsume Sōseki, original text:Shueisha Bunko, Shueisha
What is Onyomi?
Onyomi, also known as the "Sino-Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is derived from the original Chinese pronunciation.
What is Kunyomi?
Kunyomi, also known as the "native Japanese reading," is one of the two main reading systems for kanji characters in Japanese. It refers to the reading of a kanji character that is based on the native Japanese pronunciation. Kunyomi readings are often used when a kanji character stands alone or is followed by hiragana, as in verbs and adjectives. Mastering both kunyomi and onyomi is crucial for understanding and using kanji effectively in the Japanese language.
What is Radical?
A radical, also known as "bushu" in Japanese, is a fundamental component of kanji characters. Radicals are the building blocks of kanji and are used to categorize and organize them in dictionaries. There are 214 traditional radicals, each with its own meaning, which often provides a clue to the meaning of the kanji character it forms.
What is strokes?
Stroke count, or "kakusuu" in Japanese, refers to the number of individual brushstrokes required to write a kanji character. Each kanji has a specific stroke order and stroke count, which are essential for writing the character correctly and legibly. Understanding and following the correct stroke order not only ensures proper balance and aesthetics but also makes writing more efficient and fluid.